From their very nature the stories we are now considering were long confined to the common people, and were preserved and transmitted solely by oral tradition. It did not occur to any one to write them down from the lips of the people until within the present century. The existence of these stories is, however, revealed by occasional references, and many of them have been preserved, but not in their original form, in books designed to entertain more cultivated readers.1 The earliest literary collection of stories having a popular origin was made in the sixteenth century by an Italian, Giovan Francesco Straparola, of Caravaggio.2 It is astonishing that a person of Straparola's popularity should have left behind him nothing but a name. We only know that he was born near the end of the fifteenth century at Caravaggio, now a small town half way between Milan and Cremona, but during the Middle Ages an important city belonging to the duchy of Milan. In 1550 he published at Venice a collection of stories in the style of the Decameron, which was received with the greatest favor. It passed through sixteen editions in twenty years, was translated into French and often printed in that language, and before the end of the century was turned into German. The author feigns that Francesca Gonzaga, daughter of Ottaviano Sforza, Duke of Milan, on account of commotions in that city, retires to the island of Murano, near Venice, and surrounded by a number of distinguished ladies and gentlemen, passes the time in listening to stories related by the company. Thirteen nights are spent in this way, and seventy-four stories are told, when the approach of Lent cuts short the diversion. These stories are of the most varied form and origin; many are borrowed without acknowledgment from other writers, twenty-four, for example, from the little known Morlini, fifteen from Boccaccio, Sachetti, Brevio, Ser Giovanni, the Old-French fabliaux, the Golden Legend, and the Romance of Merlin. Six others are of Oriental origin, and may be found in the Pantschatantra, Forty Viziers, Siddhi Kûr, and Thousand and One Nights.3 There remain, then, twenty-nine stories,
