one (Pomiglianesi, p. 110) the princess wins the magic objects (purse, cloak that renders invisible, and horn that blows out soldiers) at play. The loser disguises himself as a priest and confesses the princess when she is ill, and makes her give back the objects she has won or stolen. In a Florentine version (Nov. fior. p. 349), the owner of the objects, a poor shepherd's son, pretends to be the son of the king of Portugal. He plays with the princess and wins, but his true origin is discovered and he is thrown into prison. There he makes use of the magic tablecloth, which he sells to the king for the privilege of passing a night in the princess' room. The same payment is asked for the box that fills itself with money, and the little organ that makes every one dance. The shepherd, of course, becomes the princess' husband and inherits the kingdom when the king dies. In the Sicilian story (Pitrè, No. 26) the fairies give Peter the purse, tablecloth, and violin, and he goes to play chess with the daughter of the king of Spain, who is to marry whoever beats her at the game. She cheats and wins, and Peter is thrown into prison. There he uses the tablecloth, and when the princess hears of it, she proposes to play for it. Again she cheats by changing a chessman while Peter is looking away, and the loser is thrown into prison again. They play again for the magic violin, and Peter, who has been warned in prison by other losers of the princess' tricks, keeps a sharp lookout, detects, and defeats her. They are married, and Peter releases all the defeated players from jail, and afterward gets rid of them by means of the violin.9
The third version is the most popular one; the following example of it is from Nerucci's collection of Montalese tales (No. 43).
XXXII. THE ASS THAT LAYS MONEY.
There was once a poor widow with an only son, and whose brother-in-law was a steward. One day she said to her child: "Go to your uncle and ask him to give you some-
