serious attention to the subject have doubtless found that the traditions of Voudooism in Louisiana and elsewhere have at least as much claim to belief as the history of the aqua Tofana or of the secret poisoners of the Middle Ages.
We must specially call the attention of our readers to the Creole songs and refrains, published with the music, throughout the work. They are very curious, and possess a special philologic value. One, in particular, an African chant, sung by the negroes in cutting down the cane, deserves special notice.
But we cannot attempt to criticize Mr. Cable's book further. It must be read to be appreciated. We have not even attempted to tell the public what it is. We have only undertaken to express in a few words the peculiar impression which, as a work of art, it produces upon the reader.
