parlance, 'on the long-hop,' and yet so far that he cannot play it just as it touches the ground or immediately on the rise—i.e. on the 'half-volley.' There can be no precise measurement of the exact spot on which the 'good-length' ball must pitch, as it is constantly varying according to the state of the ground and the size and style of the batsman. When the ground is 'slow' and 'sticky' from recent rain, the good-length ball will have to be pitched considerably farther than when it is 'hard' and 'fast,' as, of course, the ball will come faster off the ground when it is in the latter state than when in the former. The reason why the bowling of this particular ball is always the object of every bowler is because it compels the batsman to meet the ball with the bat by forward play, and because in so doing he often loses sight of the ball from the moment it touches the ground till it strikes the bat. No one can be called a good bowler until he has the power at will of bowling ball after ball of this sort. It often happens when two batsmen are well set, and every wile and 'dodge' of the bowlers has been tried without avail, that two bowlers will have to go on to bowl, or try to bowl, nothing else but good-length balls, in the hopes of keeping down the runs. If this can be done effectually, a batsman is bound through impatience to make a mistake which in time may cost him his wicket.
Every ball that leaves the bowler's hand has, in addition to the propelling power imparted by the bowler, one of four different motions. The ball as it travels is either spinning from right to left; or from left to right; or with a downward vertical motion; or an upward vertical motion. It is a fact that it is well-nigh an impossibility for a ball to leave the hand of the veriest beginner without having one of these four motions to a certain extent imparted to it.
On these four rotary motions depends how much and in what direction the ball will twist or deviate from its course, and also the speed and height it will assume after touching the ground. One of the arts of a bowler is to cheat the batsman by making the ball pitch in one spot and, after the pitch,
