not forward. To be a good judge of a ball's length is a source of strength in any player, and a strictly accurate player seldom makes the mistake of playing forward when he ought to play back, and vice versâ. In cricket, however, poor human nature is apt to err oftener perhaps than in most walks of life, and the question may now be asked, What is the batsman to do when he finds himself playing forward, but unable to smother the ball at the pitch? He has made a mistake; how is he to get out of the difficulty? Let it be remembered that we are at present only concerned with a fast and true wicket, the play on a slow tricky wicket being so different that it will be noticed separately.
Let us assume, then, that the batsman is forward in the position here shown, but that he finds he cannot reach far enough to smother the ball at the pitch. On a fast wicket there is no time to rectify the error by getting back and playing the ball in the orthodox manner; and yet the batsman must do something or he will be bowled out. There are three courses open to him. (1) He may trust to Providence and a good eye, and take a slog, or adopt what a humorous cricketer once called 'the closed-eye blow,' in which case, if hit at all, the ball will probably be propelled into the air, but perhaps out of harm's way, or, as is quite as likely, into a fielder's hands. The famous E. M. Grace, who is blessed with as good an eye as any cricketer, frequently plays this stroke with success. (2) He may adopt what lawyers would call the cy-près doctrine; in other words, though he ought to play forward and smother a ball, he may at the same time play forward and not smother the ball, which may hit the bat nevertheless. The dangers of this play are obvious to every cricketer, for it leaves him at the mercy of the ball that bumps, hangs, or turns. Modern grounds are so good that this stroke is far safer than it used to be; for in the majority of instances the ball comes straight on, and only the experienced observer sees that the batsman comes off with flying colours owing to the excellence of the ground rather than to his skill. (3) He may, after he has got
