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Page:Cricket (Steel, Lyttelton).djvu/73

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BATTING.
53

briefly stated, (1) Play forward when the ball is fairly well pitched up, but remember that the faster the bowling and the faster the wicket the more frequently will forward play be the safer style of play. (2) Keep the bat quite straight and the left shoulder and elbow well forward. (3) Get as near to the pitch of the ball as possible. (4) Do not put the bat further forward than the level of the left foot, which ought to be thrown right forward.

It is often a doubtful question whether a straight drive forward is what is technically a drive or hit, or mere forward play. Of course, when the batsman is well set, he may hit as hard as he can to a straight half-volley; but there are many players whose forward play is so powerful that it practically amounts to a drive. Alfred Lyttelton's forward play frequently makes mid-off tremble, and the same may be said of Bates, Ulyett, and several other players.

But to the beginner again: until you are well set, do not let all your strength go out to any straight ball; if you do, you will lose more than you gain. On Lord's, for instance, a hit over the ropes can only realise four, the same as a hit under the ropes; you will very likely, therefore, score as many for a straight hard bit of forward play as you will for a regular swipe.

When the art of back play to fast bowling is discussed, the converse of what has been said about forward play is true, viz. that as the faster the ground the more balls ought to be played forward, so under the same circumstances will fewer balls be played back. As a general rule, it may be observed that strong-wristed players play more back than batsmen who play chiefly with their arms and shoulders. A weak-wristed player playing back on a very fast wicket will frequently be late, and either miss the ball altogether or else half-stop it, in which latter case it may dribble into the wicket. The value of a strong wrist is that the batsman can dab down on a ball and do the feat in a far shorter space of time than a shoulderand-arm player. The difference between a strong wrist and a