and the first step which it takes in this sphere is not to render the representation of objects clear, but to render the representation of an object in general, possible. It does this by applying the order of time to phenomena, and their existence. In other words, it assigns to each phenomenon, as a consequence, a place in relation to preceding phenomena, determined a priori in time, without which it could not harmonize with time itself, which determines a place a priori to all its parts. This determination of place cannot be derived from the relation of phenomena to absolute time (for it is not an object of perception); but, on the contrary, phenomena must reciprocally determine the places in time of one another, and render these necessary in the order of time. In other words, whatever follows or happens, must follow in conformity with a universal rule upon that which was contained in the foregoing state. Hence arises a series of phenomena, which, by means of the understanding, produces and renders necessary exactly the same order and continuous connection in the series of our possible perceptions, as is found a priori in the form of internal intuition (time), in which all our perceptions must have place.
That something happens, then, is a perception which belongs to a possible experience, which becomes real only because I look upon the phenomenon as determined in regard to its place in time, consequently as an object, which can always be found by means of a rule in the connected series of my perceptions. But this rule of the determination of a thing according to succession in time is as follows: "In what precedes may be found the condition, under which an event always (that is, necessarily) follows." From all this it is obvious that the principle of cause and effect is the principle of possible experience, that is, of objective cognition of phenomena, in regard to their relations in the succession of time.
The proof of this fundamental proposition rests entirely on the following momenta of argument. To all empirical cognition belongs the synthesis of the manifold by the imagination, a synthesis which is always successive, that is, in which the representations therein always follow one another. But the order of succession in imagination is not determined, and the series of successive representations may be taken retrogressively
