to pass the limits of that sphere. The latter has, indeed, this advantage, that the representations of space and time do not come in their way when they wish to judge of objects, not as phenomena, but merely in their relation to the understanding. Devoid, however, of a true and objectively valid a priori intuition, they can neither furnish any basis for the possibility of mathematical cognitions a priori, nor bring the propositions of experience into necessary accordance with those of mathematics. In our theory of the true nature of these two original forms of the sensibility, both difficulties are surmounted.
In conclusion, that transcendental aesthetic cannot contain any more than these two elements—space and time, is sufficiently obvious from the fact that all other conceptions appertaining to sensibility, even that of motion, which unites in itself both elements, presuppose something empirical. Motion, for example, presupposes the perception of something movable. But space considered in itself contains nothing movable, consequently motion must be something which is found in space only through experience,—in other words, an empirical datum. In like manner, transcendental aesthetic cannot number the conception of change among its data a priori; for time itself does not change, but only something which is in time. To acquire the conception of change, therefore, the perception of some existing object and of the succession of its determinations, in one word, experience, is necessary.
§ 9. General Remarks on Transcendental Aesthetic.
I. In order to prevent any misunderstanding, it will be requisite, in the first place, to recapitulate, as clearly as possible, what our opinion is with respect to the fundamental nature of our sensuous cognition in general. We have intended, then, to say that all our intuition is nothing but the representation of phenomena; that the things which we intuite, are not in themselves the same as our representations of them in intuition, nor are their relations in themselves so constituted as they appear to us; and that if we take away the subject, or even only the subjective constitution of our senses in general, then not only the nature and relations of objects in space and time, but even space and time themselves disappear; and
