in which the characters of beauty and intelHgence are both present, which unites 'the two noblest of things,'—as Swift, who of one of the two, at any rate, had himself all too little, most happily calls them in his Battle of the Books,—'the two noblest of things, sweetness and light.' The εὐφυής is the man who tends towards sweetness and light ; the ἀφυής, on the other hand, is our Philistine. The immense spiritual significance of the Greeks is due to their having been inspired with this central and happy idea of the essential character of human perfection; and Mr. Bright's misconception of culture, as a smattering of Greek and Latin, comes itself, after all, from this wonderful significance of the Greeks having affected the very machinery of our education, and is in itself a kind of homage to it.
In thus making sweetness and light to be characters of perfection, culture is of like spirit with poetry, follows one law with poetry. Far more than on our freedom, our population, and our industrialism, many amongst us rely upon our religious organisations to save us. I have called religion a yet more important manifestation of human nature than poetry, because it has worked on a broader scale for perfection, and with greater masses of men. But the idea of beauty
