to which the stories of the ring naturally lead us.
The classic legend of Ulysses held captive for eight years by the nymph Calypso in the Island of Ogygia, and again for one year by the enchantress Circe, contains the root of the same story of the Tanhäuser.
What may have been the significance of the primeval story-radical it is impossible for us now to ascertain; but the legend, as it shaped itself in the Middle Ages, is certainly indicative of the struggle between the new and the old faith.
We see thinly veiled in Tanhäuser the story of a man, Christian in name, but heathen at heart, allured by the attractions of paganism, which seems to satisfy his poetic instincts, and which gives full rein to his passions. But these excesses pall on him after a while, and the religion of sensuality leaves a great void in his breast.
He turns to Christianity, and at first it seems to promise all that he requires. But alas! he is repelled by its ministers. On all sides he is met by practice widely at variance with profession. Pride, worldliness, want of sympathy exist among those who should be the foremost to guide, sustain, and receive him. All the warm springs which gushed