is armed with a bundle of thunderbolts and a dart, and is accompanied by the cross; the third, a female, bears a flower. On another and still more curious cylinder is a monarch or god, behind whom stands a servant holding up the symbol (Fig. 17). The god is between two handled crosses, and behind the servant is a Maltese cross. Some way above is a bird with expanded wings. Again, on another the winged figure is accompanied by the cross. A remarkable specimen, from which I have copied the principal figure (Fig. 18), represents a god holding the sacred sign by the long arm, whilst a priest offers him a gazelle.
An oval seal, of white chalcedony, engraved in the Mémoires de l’Académie royale des Inscriptions et Belles Lettres (vol. xvi.), has as subject a standing figure between two stars, beneath which are handled crosses. Above the head of the deity is the triangle, or symbol of the Trinity.
This seal is of uncertain origin: it is supposed not to be Babylonish, but Phœnician. The Phœnicians also regarded the cross as a sacred sign. The goddess Astarte, the moon, the presiding divinity over the watery element, is represented on the coins of Byblos holding a long staff surmounted by a cross, and resting her foot on the prow of a
