and beasts around him, and made the trees and herbs to grow. The name Orpheus has been supposed to be identical with the Vedic Ribhus, which, no doubt, in its original form, was Arbhus. This, however, is not certain. Preller supposes Orpheus to come froi the same root as ὄρΦνη, ἔρεβος, and to signify gloom (Griechische Myth. ii. p. 486); but this is most improbable. He was a son of Apollo, and therefore probably a solar god.
It was hardly to be expected that such a charming and innocent myth as that of Orpheus should have been allowed to drop by the early Christians. They made a legitimate and graceful use of it in the catacombs, when they presented it as an allegory of Christ, who, by the sweet strains of His gospel, overcame brutish natures, making the wolf to lie down with the lamb. But a less justifiable adaptation of the figure was that of the mediæval hagiologists, when they took from Orpheus his lyre and robbed him of his song, and split him into Francis and S. Anthony, the former with his preaching attracting the birds, the latter learnedly propounding scriptural types to the fishes.
It is curious that this Orpheus myth should be found scattered among Aryan and Turanian
