rmes made his lyre of the tortoise-shell. But he dropped this instrument into the sea, and thus it fell into the power of the sea-gods, which accounts for the music of the ocean on the beach. The hero then made another from the forest wood, and with it descended to Pohjola, the realm of darkness, in quest of the mystic Sampo; just as in the classic myth Orpheus went down to Hades, to bring thence Eurydice. When in the realm of gloom perpetual the Finn demi-god struck his kantele, and sent all the inhabitants of Pohjola to sleep; as Hermes, when about to steal Io, made the eyes of Argus close at the sound of his lyre. Then he ran off with the Sampo, and had nearly got it to the land of light, when the dwellers in Pohjola awoke, and pursued and fought him for the ravished treasure, which, in the struggle, fell into the sea and was lost; again reminding us of the classic tale of Orpheus
The effects of the harping of Wainamoine remind one of those accompanying the playing the Greek lyrist.
“The ancient Wainamoinen began to sing; he raised his clear and limpid voice, and his light fingers danced over the strings of the kantele, whilst joy answered to joy, and song to so
