CANTERBURY lie was forced to leave Bologna. After studying the works of the great masters in Home he returned to Bologna and opened a school in opposition to Guido. Humiliated at his want of success in painting a portrait of the Duke of Mantua, he went to Verona, and died there, some say of poison. Baldi- nucci calls him another Guido, but though he copied Guido with great success, he had little originality. He was an able engraver. Works : Repose in Egypt (2), Louvre ; Mir- acle of St. Peter, S. Pietro, Fano ; Assump- tion, Bologna Gallery ; Holy Family, Trans- figuration, Brera, Milan; Holy Family, Madrid Museum ; Joseph and Potiphar's Wife, Dresden Gallery ; Holy Family, Re- pose in Egypt, Hermitage, St. Petersburg. Malvasia, ii. 373 ; Lanzi, iii. 103 ; Ch. Blanc, ficole bolonaise ; Seguier, 37. CANTERBURY PILGRIMS, Thomas Slothard, National Gallery, London ; wood, H. 1 f t in. x 3 ft. in. A cavalcade of numerous figures, all on horseback and rid- ing from right to left, illustrating the per- sons described in the prologue to Chaucer's " Canterbury Tales." Purchased at Leigh Court sale (1884). Engraved by the broth- ers Schiavonetti and James Heath, 1817. CAPANNA, PUCCIO, middle of 14th century. Florentine school; disciple of Giotto, according to Vasari, who says he was a good painter ; but the works assigned to him differ much in style, and are all in- ferior. Puccio was admitted to the Floren- tine painters' guild in 1350. Among the works ascribed to him are frescos in S. Francisco, Assisi, S. Maria Novella and S. Trinita, Florence, and in the Hall of the Capitolo, S. Francesco al Prato, Pistoja, and pictures in S. M. Novella and S. Triuita, Florence. C. & C., Italy, i. 376 ; Vasari, ed. Mil., i. 394 ; Baldinucci, i. 234. CAPDEVIELLE, LOUIS, born at Lour- des (Hautes-Pyrenees) ; contemporary. His- tory and portrait painter, pupil of A. Millet, Bonnat, and Cabanel. Medal, 3d class, 1882. Works : Knife Grinder, First Prize (1876); Pork Scalder (1877); Portraits (1878, 1879); Workshop of Seamstresses (1880) ; Wedding at Laruns, End of Nana (1882) ; Land-slip in a Quarry, Study of Nude Woman (1884); Gratuitous and oblig- atory Instruction, A Model (1885). CAPELLE, JAN VAN DER, born in Am- sterdam, the freedom of which city he re- ceived in 1653. Dutch school ; marine painter, pupil of Albert Cuyp. Painted | quiet seas under warm and bright skies. Works : River with Ships, Amsterdam Mu-
- seum ; Fishing Boats, Rotterdam Museum ;
Mouth of the Scheldt with numerous vessels, Aremberg Gallery, Brussels ; Marine, Berlin Museum ; Strand with Ships, Vienna Muse- it um ; Calm at Low Water, C(tj9*il National Gallery, Lon- / don ; pictures in the col- lections of Messrs. Munro, Baring, and of the Duke of Bedford and Lord Overstone. Kugler (Crowe), ii. 501 ; Ch. Blanc, Ecole hollandaise. CAPORALI, GIOVANNI BATTISTA, bom in Perugia about 1476, died there about 1560. Umbrian school ; son of Bar- tolommeo Caporali, an inferior painter of Perugia (1472-1521); commonly called Bitte or Bitti, an abbreviation of Battista ; errone- ously called Benedetto by Vasari. Brought up by his father, but went about 1507-8 to Rome, where he became acquainted with Perugino, Pinturicchio, Bramante, and Sig- norelli, and learned to imitate them. On his return to Perugia in 1519 he was made a decemvir. He was also an architect, and built and decorated with frescos the Villa Passerini near Cortona. A fresco in S. Croce in Gerusalemme, Rome ; Virgin and Saints (1492), S. Girolamo, Citta di Castello ; Nativity, Duomo, Panicale, and at S. Salva- tore, in neighbourhood, are attributed to this painter. C. & C., Italy, iii. 360 ; Ch. Blanc, Ecole ombrienne ; Vasari, ed. Mil., iii. 597. CAPPONI, RAFFAELLINO. See Garbo. CAPPUCCINO, IL. See Strozzi, Ber- nardo. CARACCIOLO, GIAMBATTISTA, born in Naples about 1580, died there in 1641.