CHURCH El Ayn (The Fountain, 1876) ; Syria by the Sea (1876), James F. Joy, Detroit ; Morning in the Tropics (1877), William E. Dodge, Jr., New York ; The Monastery (1878), Hurl- but Collection, Cleveland, O. ; Valley of Santa Marta (1879), Charles Parsons, St. Louis. CHURCH, F. S., born at Grand Rapids, Mich., in 1842. Animal painter ; pupil of the National Academy and of the Chicago Academy. Paints in oil and water-colour, and draws in black and white. Elected an A.N.A. in 1885. Member of Society of American Artists. Studio in New York. Works in oil : Mad as March Hares ; Weirdness ; Solo ; Sea Princess ; Back from the Beach (1879); Muskrat's Nest (1880); Foggy Day (1881) ; Willing Captive (1883). Water-Colours: Hard Times; Chilly Day (T. B. Clarke, New York); Foraging Party ; Elfin Tandem ; Phantom ; Ostrich Dance ; Awkward Squad ; Pandora, King's Flamin- goes (1884); Peacocks in the Snow (1885). CIBOT, (FRANCOIS) EARTH ELEMY (MICHEL EDOUARD), born in Paris, Feb. 11, 1799, died there, Jan. 10, 1877. French school ; genre painter, pupil of Guerin, of Picot, and of F-cole des Beaux Arts. Painted also historical subjects, landscapes, and portraits, and executed fres- cos in the Church of St. Leu. Medals : 2d class, 1836 ; 1st class, 1843, 1857, and 1863 ; L. of Honour, 1863. Works : Judith, Cam- bray Museum ; Wounded Mother nurs- ing Child, The Sybarites (1827); Christ tempted by Satan, Incident in Life of Frede- gonda, Louis XV. and Mile, de Humieres, Amours of the Angels, Chain Gang (1836); Indiscreet Visit, Diana painted by Jean Goujon before Henri H, Little Conscripts, Galileo at Notre Dame, Raphael and Peru- giuo, Young Married Woman, Regina Cceli (1846) ; Nativity, Charity, Valley of Fonte- nay-aux-Roses, Chestnut-Trees of Aulnay, A Thicket (1855); Origin of the Sacred Heart, St. Luke, Paris ; Funeral of Godfrey de Bouillon, Victory of Raymond Dupuy, De- fence of Beauvais, Versailles Museum ; Park at Orsay, Spring-Time, Summer, Environs of Sceaux (1857) ; The Angel can Sleep, The Angel W T atches, Environs of Sceaux, First Days of May (1859) ; Landscape at Aulnay, Chartreux Convent at Sceaux (1861); Val- ley of the Brevre, Cliffs at Treport, The Sarthe (1863) ; Whirlpool near Seineport (1864), Luxembourg Museum ; Soisy-on-the- Ecole (1865), Valley of Sceaux, View near Beaulieu (1866); View at Rochefort (1867); Gravel-Pit, Environs of Paris (1868); Woods of Meudon, Chestnut- trees (1869); Vision of Ezekiel, Environs of Sevres (1874). La- rousse ; L'Art (1877), viii. 24. CIENNI DA FIRENZE. See Cennini. CIGALE, LA (The Grasshopper), Jules Joseph Lefebure, D. Catlin, St. Louis ; can- vas, H. 8 ft. x 3 ft. Illustration of La Fon- taine's fable. Female figure, full length, nude, standing, biting her fingers and pout- j ing as the first breeze of autumn whistles. Art Treasures of America, iii. 55. CIGNANI, CARLO, Count, born in Bo- logna, May 15, 1628, died at Forli, Sept. 6, 1719. Bolognese school ; of an ancient Bolognese family ; most noted pupil of Albani ; afterward studied works of Cor- reggio and of Anni- bale Carracci. About 1658 he painted for Cardinal Famese, in the Palazzo Publi- co, Bologna, the two frescos representing the Entry of, Paul HI. into Bologna, and Francis I. of France healing Lepers. His most important work was the painting of the cupola of the Cathedral at Forli, which occupied him nearly twenty years, the subject being the Assumption of the Virgin. Works : Infant Christ and St. John, Mater Dolorosa, Palazzo Corsini, Rome ; Charity, Hermitage, St. Peters- burg ; do., Turin Gallery ; Bacchus and Erigone, Nero and the Body of his Mother, Achilles and "Ulysses, Magdalen, Madonna, Cassel Gallery ; Chastity of Joseph, Dresden 296
