STALLAERT London by Charles L about 1622, and worked there until 1642. His landscapes are enriched with buildings, biblical and mythological figures, and animals. Works : Wood Landscape, Antwerp Museum ; do., Amsterdam Museum ; Landscape, Kirmess, Cassel Gallery ; Kirmess, Stadel Gallery, Frankfort ; do., Vienna Museum ; Banquet of the Gods (1622), Judgment of Midas, Dresden Gallery ; Adoration of the Shep- herds (1622), Stag Hunt by a Lake, Berlin Museum ; Wood Landscape, Schwerin Gal- lery ; Triumph of David -toftyTALBEMT over Goliath (with P. F A 9 1 622.' Brueghel, 1619), Madrid Museum. Kramm, v. 1556; Michiels, ix. 118; Kooses (Reber), 411 ; Van den Brandeu, 625. STALLAEET, JOSEPH, born at Merch- tem, Brabant, in 1825. History painter, pupil of Brussels Academy under Navez ; took the prize for Rome in 1848 ; then spent four years in Italy, France, and Germany. His pictures are in tasteful antique style. Medals at Brussels (1860), Vienna (1873), Philadelphia (1876) ; Order of Leopold (1863) ; Officer (1881) ; Order of Francis Joseph of Austria. Principal professor of design and of painting in Royal Academy, Brussels. Works : Penelope (1859) ; Hero and Leander (1861) ; Death of Dido, Brus- sels Museum ; Cellar of Diomedes in Pom- peii (1862) ; Ulysses (1863) ; Medea ; Polyx- ena sacrificed to the Manes of Achilles, Ghent Museum ; Cellar of Diomedes (1879). In fresco : Ceilings, Palace of Count of Flan- ders ; Four Celestial Regions, Elements and Gods, in Brussels National Bank. Muller, 501 ; D. Rundschau, xx. 471. STAMMEL, EBERHARD, born at Diiren in 1832. Genre painter, pupil of Diissel- dorf Academy under Sohn, then studied in Antwerp, Paris, and Munich, and settled at Dusseldorf in 1859. Works : Morning af- ter Bout ; Bookworm, Royal Collection, Ber- lin ; Cavalier and Usurer, Villa Borsig, ib. ; Gentlemen's Room, Barmen Art Union ; Village Artist ; Everything Lost ; Peasants at the Museum ; Art Amateur ; Afternoon Pipe. Dioskuren, 1865-66. STANDAART. See Bloemen, Pieter van. STANFIELD, GEORGE CLARKSON, born in London, May 1, 1828, died at Harnp- stead, March 22, 1878. Landscape and marine painter, son and pupil of William Clarkson Stanfield, and student of the Royal Academy, to the exhibitions of which he was a contributor from 1844 to 1876. He painted principally Continental landscapes and views of towns. Works : Church of St. Michael Ghent (1860); Saarburg Castle (1861); On the Lahn (1863) ; Amphitheatre at Verona (1864) ; Angers (1868) ; Dunbar Castle (1872) ; Entrance to Harbour of La Rochelle (1875) ; On the Nile (1876). STANFIELD, WILLIAM CLARKSON, born at Sunderland, Durham, in 1793, died at Hampstead, May 18, 1867. Be- gan life as a sailor in the royal navy; be- came a scene painter when still young, and soon turned his at- tention to landscape and marine painting, in which he won suc- cess ; exhibited first at Royal Academy in 1829 ; became an A.R.A. in 1832 and R.A. in 1835. After his first visit to Italy in 1813, painted many Italian views. He ex- celled in mountain and river scenery, and in naval battle scenes and seaport views. Works : Market Boats on the Scheldt (1826); Wreckers off Fort Rouge (1827); Mount St. Michael (1830) ; Fishermen of Honfleur, View of Venice (1831) ; Opening of New London Bridge, Portsmouth Harbour (1832); Battleof Trafalgar (183Q); Viewnear St. Malo, Amalfi, Avignon, Ancona (1840) ; Castle of Ischia, Pozzuoli (1841); Isola Bella, Kitchen of Inn Amalfi (1842); Mazerbo and Lu- cello, Ducal Palace Venice, Ischia (1843) ; Oude Scheldt, Day after the Wreck (1844) ; Trajan's Arch Ancona, Capture of Spanish Frigate El Gamo (1845); Ponte Rotto 216
