painters usually select the best Russia bristles, and the size known as 0000 is used for rough-stuff and foundation coats, while the house painter would choose a larger one possibly. A new brush of this description will not work well unless bridled, that is having an extra binding added, and this may be done in several ways.
By winding a strong cord around the bristles to about the middle of the same, or, as far from the original binding as desired. By covering a portion of the bristles with leather stitched on tightly. By wrapping a piece of muslin around the brush, then tying a cord at the center of the bristles turn the muslin back and tie it securely to the handle. By using a patent metallic band or binder, and by other means, the object being to shorten the exposed bristles until the brush is partly worn down, when the extra binding may be removed.
Badger-Hair Varnish Brush. The badger-hair brush is next in importance. It is well bound in tin, hair set in glue, handle nicely japanned, and chisel-pointed. For varnishing small panels or parts of a body it has no equal. The best badger-hair is imported on the skin from Germany and Russia.
Camel's-Hair Brush. For laying fine color no better brush can be had than the camel's-hair brush, called by some mottlers, by others blenders, and again by others spalters, each term, however, is foreign to the American painter, and the camel's-hair brush is by far the most appropriate, and most commonly used. The hair used in these brushes, however, is not all taken from the camel, much of it being from the tail of the Russian brown squirrel. The hair is first cut from the tail with scissors, the wool or under fur combed out, and then tied in bunches ready to be straightened. This requires skill and practice. The hair is placed in metal cups having a thick, loaded bottom, and by quick motion of the hand, drummed on the bench for a considerable time, until the pointed or fine ends are all even with
