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Banquet of the Civic Guard, B. van der Helst, National Museum, Amsterdam.
of the Bombardieri, St. Barbara being the patroness of the Venetian artillerists.—C. & C., N. Italy, ii. 465; Rio, iv. 169.
BARBARELLI, GIORGIO. See Giorgione.
BARBARI (Barbaris), JACOPO DE', born
in Venice between 1440 and 1450, died before
1516. Venetian school. Probably identical
with Jacomo Barberino Veneziano, who
is said to have gone to Germany and to
Burgundy and there adopted the art of
those countries. Ephrussi thinks that Jacopo
went to Nuremberg before 1494, and
learned the technics of engraving there from
Wohlgemuth. He was formerly known only
as an engraver, and called the Master of the
Caduceus from the mark which he used upon
his plates. He was the colleague of Mabuse
in the service of John of Burgundy, Bishop
of Utrecht, and excelled as a painter and
engraver. Supposed also by some to have
been identical with Jacometto of Venice and
with Jacob Walch, alluded to in Dürer's correspondence
as an artist who had given him
valuable hints in his youth. His signature
is on a panel of 1504 in the Augsburg Gallery,
and on a head of Christ in the Weimar
Museum. Other works: Christ Blessing,
St. Catherine, St. Barbara, Galatea (attributed
to Botticelli), Dresden Gallery; Madonna
and Saints, Berlin Museum; Portrait
of Young Man, Vienna Museum; do., Bergamo
Gallery.—C. & C., N. Italy, i. 229; Meyer,
Künst. Lex., ii. 706; Thausing, Dürer, 216;
Gaz. des B. Arts (1861), xi. 311, 445; (1873),
viii. 223; (1876), viii. 363; Notizia d'opere
di Disegno, pub. de D. I. Morelli (Bassano,
1800), 77, 221; Lermolieff, 57, 168; Zeitschr.
f. b. K., xii. 339.
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BARBARI (Barbaris), NICCOLÒ DE', beginning of 16th century. Venetian school; of northern education, and probably a co-
