Salon of 1767); Le Coucher de la Mariée, Sentiment de L'Amour, Chaumière, Eight Miniatures with Life of the Virgin (1767); Modéle honnête, Diana and Actæon; Épouse indiscrete, Sentinelle en défaut, Énlèvement, Jardinière gallant, Chemin de la Fortune, Rose and Colas (1769).—Ch. Blanc, École française; Goncourt, ii. 520; Meyer, Künst. Lex., iii. 132; Wurzbach, Mal. d. xviii. J., 34.
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BAUDRY, PAUL (JACQUES AIMÉE),
born at La Roche-sur-Yon,
Vendée,
Nov. 7, 1828. History
and portrait
painter, pupil at
La Roche of Sartoris
and in Paris
of Drolling. Won
the grand prix
de Rome in 1850
by his Zenobia
Discovered on the
Banks of the Araxes.
Exhibited first in Salon in 1857. Medals:
1st class, 1857, 1861, 1881; L. of Honour,
1861; Officer, 1869; Commander, 1875;
Member of Institute, 1870. He has executed
important decorative works, the most celebrated
being those in the foyer of the New
Opera House in Paris (1866-74). Has also
painted many portraits. Works: St. John,
Fortune and the Child (1857), Luxembourg
Museum; Execution of a Vestal (1857), Lille
Museum; Leda (1857); Penitent Magdalen,
Toilet of Venus, Guillemette (1859); Charlotte
Corday (1861), Nantes Museum; Amphitrite
(1861); Pearl and Wave (1863);
Diana (1865); Glorification of Law (1881);
Truth (1882). Among his portraits are:
Guizot (1861); Charles Garnier (1869); Edmond
About (1872); Gen. de Montauban
(1877).—Larousse; Meyer, Gesch., 595; do.,
Künst. Lex., iii. 137.
BAUERLE, KARL (WILHELM FRIEDRICH),
born at Endersbach, Würtemberg,
June 5, 1831. Genre and portrait painter;
came to America in 1836, returned to Germany
in 1859, and became pupil of the art
school in Stuttgart under Rustige. In 1863
he studied in Munich under Piloty, and in
1864 went to Italy. After his return he acquired
great reputation at Stuttgart by his
portraits; went in 1869 to England, where he
painted several members of the royal family
and of the aristocracy. Works: Portraits of
Prince and Princess of Hohenlohe-Langenburg,
Group of their Children, Prince
Arthur, Children of Prince of Wales; The
Orphans (1867), Stuttgart Gallery; Female
Letter Carrier, Little Barefoot, Spring, The
Nursery, Attempts at Art.—Meyer, Künst.
Lex., iii. 143; Müller, 30.
BAUGIN, LUBIN, born at Pithiviers,
Loiret, France, about 1610, died in Paris,
July 11, 1663. History painter, imitator of
Guido Reni, whence called Little Guido.
Works: Holy Family, Louvre; Madonna,
Nancy Museum; Holy Family, Dijon Museum;
Martyrdom of St. Bartholomew, Rouen
Museum; Magdalen Consoled by Angels,
Gregory the Great, Orléans Museum; St.
Sebastian, S. Sépulchre; Adoration of Angels,
St. Lazare; six pictures in Notre Dame, Paris.—Meyer,
Künst. Lex., iii. 145.
BAUGNIET, CHARLES, born in Brussels
in 1814. Genre and portrait painter, pupil
of J. Paelinck and M. F. Willems. Lives at
Sèvres. First became known by a collection
of three hundred lithographed portraits of
distinguished persons. After spending several
years in England, settled in Paris and
devoted himself to painting. Member of
Ghent Academy in 1836. Appointed designer
to the King of Belgium, 1841; Order
of Leopold, 1843, Officer 1872; Order of
Isabel Catholic of Spain; of Branche-Ernstein
of Saxony; of Christ of Portugal.
Works: Sister of Charity, Repentance, First-Born,
Sailor's Return, Beau Telling a Story,
The Eldest Daughter (1863); Elder Sister's
Return (1864); Visiting the Widow, Troubled
Conscience (1865), Godmother's Visit
(1866); Departure of the Bride (1869); Embarrassing
Answer, Godmother, Good Adventure
(1870); Burning of Chicago (1871);
