Medal: 3d class, 1882. Works: Gleaners Surprised by Rain, Banks of the Aven (1876); April, La Saint-Fiacre (1877); On the Cliffs at Carteret, End of October (1878); November, Return from the Fields (1879); Sowing Season (1881); On the Heights of Omonville (1882); Walnut Trees of Augis in November, Goslings in April (1883); Return of the Flock, Windy Day (1884); In the Fields in October, Untilled Land—Winter Evening (1885).
BEAUVERIE, CHARLES JOSEPH, born
at Lyons, France; contemporary. Genre and
landscape painter, pupil of Lyons school of
art, and of Gleyre. Paints well coloured,
carefully finished pictures. Medals: 3d class,
1877; 2d class, 1881. Works: Morning on
the Oise, Avignon Museum; Butcher's Shop
in Suburbs of Paris, Afternoon in Spring
(1874); June, October Morning, Beggar
Woman from Brittany, View near Cernay,
Coming out of School (1879); The Forey
Canal, St. Just-sur-Loire (1880); Girl Picking
Peas, Autumn Evening (1881); Gathering
Potatoes, Foggy Morning in Autumn (1882);
Resting in the Fields, Ruins at Auvers
(1883); Before the Rain, Morning at Auvers
(1884); Valley of Amby, The Harrow (1885).—Meyer,
Künst. Lex., iii. 253.
BEAVIS, RICHARD, born at Exmouth,
England, in 1824. Landscape painter; in
1846 entered School of Design, Somerset
House, London, and in 1850-63 was designer
in a London carpet factory. Exhibited at
Royal Academy in 1862, Mountain Rill, and
Fishermen Picking up Wreck, and in 1863,
In North Wales. Has visited France, Holland,
Italy, Egypt, and the Holy Land. Member
of the Institute of Painters in Water Colours.
Works: Escape (1864); Military Train—Jersey,
Drawing Timber in Picardy (1865);
Loading Sand—Pas de Calais (1867); High
Tide—Mouth of the Maas (1868); Hauling
up a Fishing-Boat—Holland (1870); Autumn
Ploughing (1871); Collecting Wreck—Ambleteuse
(1872); Shore at Scheveningen
(1873); Ferry-Boat in Old Holland (1874);
Bedouin Caravan, Ploughing in Egypt (1876);
Threshing Floor at Gilgal, In the Forest at
Fontainebleau (1877); Halt of Prince Edward
(1878); Pilgrims to Mecca (1879);
Bedouin Encampment in Syria (1880); Retreat
to Corunna (1883); Buckhurst Park,
Hatfield Park (1885).—Art Journal (1877),
65; Meyer, Künst. Lex., iii. 253.
BECCADELLI, Legate, portrait, Titian,
Uffizi, Florence; canvas, life size. The
prelate, seated in an arm-chair, holds in his
hands an unfolded paper. Painted in 1552.
Engraved by J. C. Ulmer.—C. & C., Titian,
ii. 216.
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings - Volume I.djvu/159}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
BECCAFUMI, DOMENICO, born near Siena
in 1486, died
in Siena, May 18,
1551. Sienese
school; son of Giacomo
di Pace,
a labourer in the
service of Lorenzo
Beccafumi, by
whom he was apprenticed
to the
painter G. B.
Tozzo, called Capanna,
and
whose surname
he adopted; also called Mecuccio or Mecherino,
on account of his insignificant
appearance. Domenico may have met Perugino
in Siena in 1508, and have felt
his influence. In Rome, where he spent
about two years (1510-1512), he became
enamoured of the works of Michelangelo,
whom he afterwards weakly imitated. On
his return to Siena (1512) he competed
with Sodoma with credit to himself,
though he cannot be justly compared with
that great artist. His style became more
and more mannered as he advanced in life.
The earliest and perhaps the best of his
works is the St. Catherine Receiving the
Stigmata (1512) and Saints, Siena Gallery;
other works are the Marriage and Death of
the Virgin, frescos (1518), S. Bernardino,
Siena; Visitation, Hospital, Siena; Nativity
(1523), S. Martino, Siena; Marriage of St.
