- scape with Figures (by Poelenburg), Schwerin
Gallery; do. and Landscape with Ruins (1636), View of Tivoli, Hermitage, St. Petersburg.—Bode, Studien, 335; Havard, A. & A. holl., iv. 69.
BREITBACH, KARL, born in Berlin in
1833. Landscape and genre painter; pupil
of the Berlin Academy, and in Paris of
Couture; travelled in Germany, France, and
England. Painted at first only landscapes;
later, genre scenes and successful portraits.
Works: Mill of St. Ouen, near Paris; Park
of Trianon; Huntsman on Stand; Rest at
the Chase; Whestphalian Church; Noonday
Prayers; Kirmess-Joy; Kirmess-Woe; Village
Parade; Portrait of the Painter Th.
Weber; do. of Intendant General von Hülsen,
At the Fortune-Teller's, Female Head,
Male Head, Man's Portrait (1883).—Müller,
75.
BREKELENKAM (Breklinkam), QUIRYN,
born at Swammerdam, near Leyden,
died at Leyden in 1668. Dutch school;
genre painter, probably pupil of Gerard Dou,
though his works recall both Metsu and Adrian
van Ostade. Master of the guild at Leyden
in 1648. Painted solid, strong, and naïve figures
in warm and harmonious colour. Works:
Woman feeding her Child, Tailor's Shop
(1661); Interior, The Fireside (1664), A
Mouse-Trap (1668), National Gallery, Amsterdam;
Monk writing, Consultation, Louvre;
Interior (1662), Lille Museum; Old
Couple, The Sandwich, Interior, Leyden Museum;
Saying Grace, Cassel Gallery; Old
Man with Fish, Old Woman with Vegetables,
Woman feeding little Girl, Game of
Cards (1662), Brunswick Museum; A Brazier
(1654), Augsburg Gallery; A Baptism, Dresden
Gallery; Vegetable Vender (1661), Berlin
Museum; Hermit (1660), Disappointed
Drinker, Hermitage, St. Petersburg.—Chronique
des Arts (1878), 69, 75; Havard, A.
& A. holl., iv. 91; Wedmore, Masters of
Genre Painting, 146.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings - Volume I.djvu/243}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
BREMOND, JEAN FRANÇOIS, born in Paris in 1807, died March 2, 1868. Genre and portrait painter; pupil of A. Couder and of Ingres. Medal of the second class in 1833 and in 1863. Principal works: Christ (1827); Scene of July Revolution (1830); Miseries of War (1833); Francis I. visiting Benvenuto Cellini (1834), Narbonne Museum; Death of the Virgin (1837); Charity (1838); Church of St. Peter in Carcassonne; St. Francis of Assisi (1839); Architecture, Painting, and Sculpture (1842), a fresco; Leda (1845); Susanna at the Bath (1847); Presentiment of the Passion (1848); Death of Bailly, Muse of André Chenier (1849); Cartoons for frieze in church of Villetta, Raising of Lazarus, Christ healing the Blind Man in Jericho, Sermon on Mount (1850); Descent from Cross (1852); Victorious Love (1853); Bohemian, Flight into Egypt (1859); Revery (1861); Slavery and Liberty, Caen Museum; The Butterfly (1864); Theological Virtues, Cardinal Virtues (1866), St. Lambert, Vaugirard.—Larousse.
BRENDEL, (HEINRICH) ALBERT,
born in Berlin, June 7, 1827, died in 1878.
Animal painter; pupil of Berlin Academy,
under W. Krause, then in Paris of Couture
and Palizzi; visited Italy in 1852, and studied
in Berlin under Steffeck. Lived in Paris in
1854-64, and at Barbison in the forest of Fontainebleau
in summers of 1864-69. Became
member of the Berlin Academy in 1868,
and professor at the Weimar Art School in
1875. Medals: Paris, 1857-59-61; Berlin,
1861; Nantes, 1861; Munich, 1869; Vienna,
1873. Works: Interior of Sheep
Stable, Hamburg Gallery; Horse Stable at
Barbison, Normandy Horses, Peasant's
Farm, Sheep leaving Stable, Return of
Sheep to the Village, National Gallery, Berlin;
Don Quixote's Sheep, Pasture in Holland.—Müller,
76.
BRENDSTRUP, THORALD, born at
Fjenneslev, Jutland, May 25, 1812. Land-