Cyrene, Interior of a Harem (1875); Moorish Interior, Donkey Boy of Cairo, Chapel in Brittany—Noon, Nubian Story-Teller (1876); Funeral of a Mummy (1877), J. G. Bennett, New York; Market Scene in Nubia, Kybelian Woman (1878); Almeh, R. G. Dun, N. Y.; Waiting for Orders—Souvenir of Constantine, Algeria (1881); Interior of Biskra House—Algeria, R. H. Keene, New York; Eastern Lady (1882), La Cigale, Afternoon Hours, At the Window—Cairo (1883); Caid's Escort at Rest (1884), Thos. B. Clarke, New York; Family Bath at Cairo, My Last Price (1884); Summer on the Bosporus (1885).—Sheldon, 150.
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BRIELMAN, JACQUES ALFRED, born in Paris; contemporary. Landscape painter; pupil of Lavieille. Medal, 3d class, 1882. Works: Old Trees of Drevant (1881); Evening in the Cévennes (1882); Oaks in Forest of Troncuis, Château de la Mothe at Marçais (1883), Th. Regnault; Falling Rain (1884); Le Champ-Rouge at Meaulne (1885).
BRIGGS, HENRY PERRONET, born
at Walworth in 1792, died in London, Jan.
18, 1844. Began his art studies in 1811 at
the Royal Academy, where he exhibited
a portrait in 1814; was for nearly twenty
years an exhibitor of historical works, but
during the latter part of his life his pictures
were chiefly portraits. He became an
A.R.A. in 1825, and R.A. in 1832. His
First Conference between the Spaniards
and the Peruvians in 1531, and his Juliet
and the Nurse, are in the National Gallery,
London.—Redgrave; F. de Conches,
417; Art Union, March, 1844; Sandby, ii.
146.
BRIL (Brill), MATTHEUS, born in Antwerp
in 1550, died in Rome in 1584. Flemish
school. Went when young to Rome, and
was employed by Gregory XIII. to execute
works in the Vatican, chiefly landscapes in
oil and in fresco. Works: Stag Hunt (2),
Louvre; Tobias and his Wife, Boar Hunt,
Dresden Gallery; Italian Landscape, Brunswick
Museum; Landscape with Shepherds,
Ambras Collection, Vienna; Hunting Scene,
Naples Museum.—Biog. nat. de Belgique, iii.
55; Fétis, Les Artistes belges à l'étranger,
i. 143.
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BRIL, PAUWEL, born in Antwerp in
1554, died in
Rome, Oct. 7,
1626. Flemish
school;
brother of Mattheus
Bril,
whose success
in Rome attracted
him
thither, and
whom he succeeded
in the
Vatican. Pupil of Damien Oortelman, then
in Rome of his brother; painted principally
landscapes, but also executed figures well.
He left many works in oil and fresco, and exercised
great influence upon Rubens, Annibale
Carracci, and Claude Lorrain, becoming
thereby most important for the development
of landscape art. Works: Landscapes with
Figures (4), Madrid Museum; Duck Hunt,
Diana and Nymphs, Fishermen (1624), Pan
and Syrinx, St. Jerome in Prayer (1609),
three other Landscapes (1617, 1620), Louvre,
Paris; Prodigal Son, Antwerp Museum;
Ruins with Figures, National Museum,
Amsterdam; Landscapes with Roman Ruins
(2), Brunswick Museum; Hilly Landscape
with Castle, Darmstadt Museum; Christ
healing the Possessed (1601), Landscape by
Seashore, Old Pinakothek, Munich; Landscapes
(9, four dated 1600, 1608, 1624,
1626), Dresden Gallery; do. (4), Berlin Museum;
do. (2), Hermitage, St. Petersburg;