CARLOS, DON, brother of Philip IV., portrait, Velasquez, Madrid Museum; canvas, H. 6 ft. 7 in. × 4 ft. 1 in. About twenty years old, full-length, standing, black dress. Painted about 1627, first manner. Etched by J. J. Martinez de Espinosa; Guérard.—Curtis, 60; Madrazo, 614.
CARLSEN, EMIL, born in Denmark in
1848. Went to America in 1872, and studied
in Boston, where he has since lived.
Works: Still Life (T. B. Clarke, New York.)
CARLUCCIO DELLE MADONNE. See
Maratti, Carlo.
CARMANIDES. See Charmantides.
CARMIENCKE, HERMANN, born in
Hamburg, Sept. 2, 1810, died in Brooklyn,
N. Y., June 15, 1867. Landscape painter
and engraver; pupil of Dahl in Dresden,
and from 1834 at the Copenhagen Academy.
In 1837 was again in Dresden and Leipsic;
returned to Copenhagen in 1838, visited
Sweden in 1841, Munich and Tyrol in 1842,
and Italy in 1845-1846. Was court painter
to Christian VIII., until after the German-Danish
war of 1848. Emigrated to New
York in 1851 and became one of the founders
of the Brooklyn Academy. Works:
Lake among High Mountains, Ziller Valley
in Tyrol.—Andresen, iv. 46.
CARNOVALE, FRA, flourished about
1456. Umbrian school; real name Bartolommeo
di Giovanni di Bartolo Corradini;
entered the Dominican Order, and in 1461-88
was curate of S. Cassiano of Cavallino,
near Urbino. A Madonna with Saints and
Angels, in the Brera, Milan, is attributed to
him. It is in the style of Piero della Francesca,
and if it be the work of Fra Carnovale,
he was probably a pupil of that master.
Vasari makes Fra Carnovale the master of
Bramante. Other works: St. Michael and
the Dragon, National Gallery, London;
Madonna and Angels, S. M. delle Grazie,
Sinigaglia.—C. & C., Italy, ii. 553; Vasari,
ed. Mil., iv. 147.
CAR[)O]LUS, LUDOVICUS ANTONIUS,
born in Antwerp, Dec. 25, 1814. Genre
painter; pupil of Eeckhout and of F. de
Braekeleer, and in Paris (1831-34), under
E. le Poitevin; settled in 1836 in Antwerp,
where he acquired reputation. Works:
Presentation, Music, Visit at the Studio.—Nagler,
Mon., iv. 325.
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CAROLUS-DURAN (CHARLES AUGUSTE
ÉMILE
DURAND),
called, born at
Lille, July 4,
1837. French
school; genre and
portrait painter;
pupil of Souchon;
went to Paris,
where he won a
prize and a pension
founded by
Wicar for his fellow-citizens
of Lille, and went to Italy, afterwards
to Spain. His work shows traces of
the influence of both countries. Lately he
has painted portraits, especially female, with
great success. Is also a sculptor. Medals
in 1866, 1869, and 1870; 2d class in 1878;
medal of honour, 1879; L. of Honour,
1872; Officer, 1878. Works: Evening
Prayer (1865); The Murdered Man (1866),
Lille Museum; St. Francis of Assisi (1868);
Dame au Gant (1869), Luxembourg Museum;
portraits only during the next ten
years, of which
one of the most
noted is Mlle.
Croizette; Gloria
Mariæ Médicis
(1878, ceiling in the Luxembourg);
Child on the Banks of the Tagus (1868);
portraits in 1879, 1880, 1881; A Future
Doge (1881); A Burial (1882); A Vision
(1883).—Larousse; Montrosier.
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CAROTO (Carotto), GIOVAN FRANCESCO, born in Verona in 1470, died there in 1546. Lombard school; pupil in Verona of Liberale, and in Mantua of Mantegna, of whom he is said to have been so perfect an imitator that his works passed as those of his master. On his return to
