Page:Cyclopedia of painters and paintings - Volume I.djvu/304

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.
  • dot Garcia; standing before an organ, with

one hand resting on the keyboard.


CEDERSTRÖM, GUSTAV OLAF, Baron, born in Stockholm, April 12, 1845. Genre painter; pupil in Stockholm of Malmström, and Winge, then (1876) in Düsseldorf of Fagerlin; went in 1869 to Paris, where he studied under Bonnat and Meïssonier. Spent a few years in Florence and Rome, but settled in Paris. Since 1878, member of Stockholm Academy. Works: Early to Bed and Early to Rise (1871); Mignon (1873); Sickbed (1874); Epilogue, Stockholm Museum; Dark Hours (1875); Transportation of Charles XII. (1878); The Poachers; Recruiting under Charles XII. (1879).—Müller, 98; N. illustr. Zeitg. (1879), ii. 742.

St. Cecilia, Raphael, Bologna Gallery.


CEDERSTRÖM, THURE, Baron, born on the estate of Åryd, Småland, Sweden, June 25, 1843. Genre painter; cousin of preceding; pupil of Düsseldorf Academy under Albert Baur, and of Weimar Art-School; travelled extensively in Europe. Medal, London, 1879. Works: Dealer in Old Clothes; Spirit of the Times (1879).—Müller, 99.


CELS, CORNELIS, born at Lierre, Brabant, June 10, 1778, died in Brussels in 1859. History and portrait painter; pupil in Brussels of A. Lens, and in Paris of Suvée; went to Rome in 1801, and having spent seven years in various cities in Italy, settled in Antwerp, and in 1815 at The Hague; went to Tournay in 1820 as director of the Academy, and settled at Brussels in 1827; visited England in 1836. Member of Academy S. Luca, Rome, 1807. Gold medal, Ghent. Works: Descent from Cross (1807), Dominican Church, Antwerp; Visitation (1808), Augustine Church, ib.; Martyrdom of St. Barbara, Bruges Cathedral Christ on Mount, Église des Riches-Claires, Brussels.—Biog. nat. de Belgique, iii. 403; Immerzeel, i. 133; Journal des B. Arts, v. 38.


CENCI, BEATRICE, portrait, Guercino, Bridgewater House, London; canvas. Unusually bright and warm in tone for this master. Differs from Guido's picture, es-