C. & C., Italy, iii. 563; Villot, Louvre; Ch. Blanc, École florentine; Filhol, viii. Pl. 505; Klass. der Malerei, i. Pl. 30; Landon, Musée, x. Pl. 42; Dohme, 2iii. 2; Mündler, Essai, 25; Musée royal, i.
By Anton Van Dyck, Earl of Lonsdale, Lowther Castle; canvas, H. 4 ft. 9 in. × 3 ft. 9 in. A beautiful woman, in a white robe and blue scarf, with a scarlet mantle over her knees, sitting with a naked infant in her lap; a second child standing at her right, and a third behind her. Copies: Dulwich Gallery; Hope Collection; P. Methuen. Engraved by C. Caukercken; W. Ryland. Lithographed by Lafosse.—Smith, iii. 118; Guiffrey; Waagen, Treasures, iii. 261.
CHARLATAN, Gerard Dou, Munich Gallery;
wood, H. 3 ft. 6 in. × 2 ft. 7 in.; signed,
dated 1652. A quack doctor, on a stage
covered with a Turkish carpet and roofed
with a large umbrella, holding forth on the
virtues of his drugs to a numerous assemblage
of people. One of his most famous
pictures. Formerly in Düsseldorf Gallery.
Injured by injudicious cleaning and restoring.
Engraved by Wille; C. Hess.—Smith,
i. 37; Ch. Blanc, École hollandaise.
CHARLAY-POMPON, CHARLES, born
in Paris; contemporary. Landscape painter,
pupil of Rapin. Medal, 3d class, 1885.
Works: L'Uveaune near Marseilles (1883);
November (1884); The Last Leaves, Road
of La Souris (1885).
CHARLEMAGNE, CORONATION OF,
Raphael, Stanza dell' Incendio del Borgo,
Vatican; fresco. H 15 ft. 11 in. × 21 ft. 4
in. Leo III. (portrait of Leo X.), seated in
foreground, about to place the crown on the
head of the kneeling emperor (portrait of
Francis I.), beside whom stands a page (Ippolito
de' Medici); on each side, cardinals
with their trainbearers; in background, the
warrior wearing a helmet encircled by a
crown is supposed to be Pepin, who was
anointed at same time as his father. Typical
of the dogma that the temporal power is
subject to the spiritual. Painted in 1517,
probably by pupils from designs of Raphael.
Engraved by Fr. Aquila, Aloysio Fabri, and
Landon.—Vasari, ed. Mil., iv. 361; Passavant,
ii. 157; Müntz, 427.
CHARLEMAGNE AND WITTIKIND,
Ary Scheffer, Versailles Museum; canvas.
Wittikind, the heathen King of the Saxons,
after his defeat in two great battles, surrendered
to Charlemagne at Attigny-sur-Seine
in A.D. 785 and was baptized. Charlemagne,
mounted, at right, accompanied by soldiers
and ecclesiastics, receives the submission of
Wittikind, who, with his family and other
followers, kneels before him. Subject treated
also by Wilhelm Kaulbach, Maximilianeum,
Munich.
CHARLEMONT, ÉDUARD, born at
Znaim, Moravia, in 1848. Genre and portrait
painter; pupil of the Vienna Academy
under Engerth, then of Makart, who enabled
him to visit Italy; remained some time in
Venice, and travelled in Germany and
France; has recently settled in Paris.
Works: The Antiquaries (1872); Two Boys
in Rubens's Costume, Two Scenes from
Snowdrop, Four Divisions of the Day, Four
Seasons, Five Continents, Lansquenet (1878).—Müller,
101; N. illustr. Zeitg., (1878), ii.
602; Zeitschr. f. b. K, xiii. 352.
CHARLEMONT, HUGO, born at Znaim,
Moravia, in 1850. Landscape painter;
brother of Éduard, pupil of the Vienna
Academy under Lichtenfels, then under his
brother and Makart; travelled in 1874 in
Holland. Works: Interior of Makart's Studio,
Still-life with Peacocks.—Müller, 101;
Zeitschr. f. b. K, x. 384; xiii. 353.
CHARLES I., portrait, Anton van Dyck,
National Gallery, London; canvas, H. 12 ft.
6 in. × 9 ft. 6 in. Charles I., of England, in
armour, on a roan charger, attended by his
equerry, Sir Thomas Morton, on foot, bearing
helmet; in background, a cavalry combat.
Formerly in Collection of Charles I.; purchased
in Munich by John, Duke of Marlborough,
and long in Blenheim Palace. Sold
to National Gallery in 1884 for £17,500.
Copies: Duke of Portland, Earl of Clarendon;
study at Buckingham Palace. En-
