- lery, Rome, where it was attributed to Leonardo
da Vinci. Probably by Bernardino Luini.—Waagen, Treasures, i. 319.
Subject treated also by Giovacchino Assereto, Liverpool Gallery; Bernardino Luini, National Gallery, London, Church at Saronno (fresco); Lodovico Mazzolino, Palazzo Borghese, Rome, Berlin Museum; Leonard Bramer, Brunswick Gallery; Charles Adolphe Bonnegrace, Toulon Museum; Pinturicchio, S. M. Maggiore (fresco), Spello; Rembrandt, Munich Gallery; Gaudenzio Ferrari, S. M. delle Grazie, Milan; Ernest Zimmerman, (1879).
CHRIST AND THE ELEMENTS, Carlo
Dolci, Dresden Gallery; canvas, H. 2 ft.
11 in. × 2 ft. 5 in. Christ, half length, blessing
the bread and wine. From Casa Rumieri,
Venice. Copy in Louvre by Agnese Dolci.
Engraved by F. Basan.—Gal. Roy. de
Dresde, i. Pl. 41.
CHRIST AT EMMAUS. See Supper at
Emmaus.
CHRIST, ENTOMBMENT
OF. See Entombment.
CHRIST, ENTRY INTO
JERUSALEM OF, Johann
Friedrich Overbeck, Marien
Kirche, Lubeck; canvas,
H. 6 ft. × 8 ft.; signed,
dated 1824. Christ, riding
an ass, with his right hand
raised in benediction, is
passing through the gates
attended by a numerous
concourse of people—men,
women, and children—bearing
palms and singing;
in foreground a man
spreads his garment before
the ass. Begun in Vienna
in 1809, finished in Rome
in 1824.—Atkinson, 16.
Subject treated also by Giotto, Arena, Padua; Vassilacchi, Church of Benedictines, Perugia; Giov. Ant. Fassolo, Dresden Gallery; Pasignano, Pal. Capponi, Florence; Sebastian del Piombo; Nicolas Poussin; Charles Lebrun, Louvre; Charles Müller (Salon, 1844); Edouard Dubufe, (Salon, 1845); J. F. Brémond, Church of La Villette, Paris; Hippolyte Flandrin, St. Germain des Prés, Paris.
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Christ and Evangelists, Fra Bartolommeo, Palazzo Pitti, Florence.
CHRIST AND EVANGELISTS, Fra Bartolommeo, Palazzo Pitti, Florence; wood, tranferred to canvas, H. 9 ft. 2 in. × 6 ft. 6 in.; signed, dated 1516. The Saviour, partly draped, standing on a pedestal in front of a niche, holds the sceptre in his left hand
