one; background, landscape. Painted about 1665-70; sold, with its companion St. John and the Lamb (National Gallery, London), at Comte de la Guiche sale (1771), 12,999 livres; Marquis de Presle sale (1779); Robit sale (1801), to Sir Simon Clarke, £4,200; Sir Simon Clarke sale (1840), the St. John was bought for £2,100 by Lord Ashburton, who gave it to the National Gallery, the Good Shepherd for £3,045 by Baron Rothschild. Engraved by Cooper, Mlle. Duclos, J. Heath, J. C. Armytage, C. Virten, R. Graves, and others. Repetition: Earl of Wemyss, Gosford Hall, East Lothian, Perthshire. Copy by Grimoux, Duchess of Bridgewater (?).—Curtis, 185.
By Murillo, Comte Henri de Greffuhle, Paris; canvas, H. 1 ft. 11 in. × 1 ft. 4 in. The Saviour, a crook in his left hand, walking front, resting his hand on the head of one of two sheep on his right; on his left, another sheep running; background, landscape. Presented by Queen Isabella to M. Guizot for bringing about the marriage of her sister to the Duc de Montpensier; sold in 1874 for 120,000 fr.—Curtis, 186.
By Murillo, Madrid Museum; canvas, H. 4 ft. × 3 ft. 3 in. The Saviour, about seven years old, wearing a red tunic and a sheep-*skin garment, with crook in hand, seated, his left hand on the back of a lamb; behind him, a rock, a broken cornice, and a fluted column. From Isabel Farnese Collection. Repetition: Don Manuel Lopez Cepero, Seville. Etched by Waltner; lithographed by J. Abrial, A. Lemoine, Lafosse.—Curtis, 186; Gaz. des B. Arts, Feb., 1875. Madrazo, 473.
CHRIST IN HOUSE OF JAIRUS,
Paolo Veronese, Vienna Museum; canvas,
H. 3 ft. 2 in. × 4 ft. 3 in. Christ, on the
steps of the house of Jairus, has his robe
touched by a woman, who, when he turns
toward her, falls on her knees; she is supported
by two women; behind them are
several sick and lame persons, and behind
Christ are several disciples.—Gal. de Vienne,
i. Pl. 44.
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Christ in House of Jairus, Paolo Veronese, Vienna Museum.
CHRIST IN HOUSE OF HIS PARENTS,
John Everett Millais, Frederick
Arthur Beer, London; canvas. Sometimes
called the Carpenter's Shop; represents
Joseph in his shop working with another
half-clad carpenter; in foreground, Jesus
shows to his mother, who kneels to kiss
him, a wound in his hand, made by a nail
which Elizabeth, who stands in background,
reaches forward to pull out with a pair of
pincers; at right, the infant John, with
water in a bowl; in background, left, sheep
look in at open door. Painted in 1849; exhibited
at Royal Academy, 1850, under following
title: "And one shall say unto him,
What are these wounds in thine hands?
Then he shall answer, Those with which I
was wounded in the house of my friends."
(Zech. xiii. 6.) Engraved by Thos. Brown,
in Art Journal.—Art Journal (1850), 175;
(1883), 92.
