(1868); Morning in the Woods (1869); Storm in Normandy, Path at Sèvres (1870); Spring-Time in Woods, Stream in Woods (1872); River in Woods (1873); Road to Washing Place, Courtyard of Farmhouse in Gasny, Brook in the Woods (1874); In Spring-Time, Old Mill, Banks of the Ebro (1875); Banks of the Ept, Woods on Banks of the Ept (1880); Sluice, Old Willow (1881); Flock of Sheep (1882); Charbonel Manufactory at Gasny (1883).—Larousse; Gaz. des B. Arts (1869), i. 511.
COCK, XAVIER DE, born in Ghent;
contemporary. Landscape painter. Medal,
Paris, 3d class, 1857. Works: Autumn,
Cows and Goats (1872); Herd of Cows,
Sheep in an Autumn Landscape (1873);
Cows, A Forest, Harvesters (1874); A Forest,
Cows (1876); Sheep in Autumn (1878);
Yoke of Oxen (1879); Oxen in a Meadow,
A Cascade (1880); Cow at a Drinking-Place
(1881); Flock of Sheep (1882); Woods in Autumn,
Oxen on the Lowland (1883).—L'Art
(1876).
COCK FIGHT (Combat de Coqs), Jean Léon Gérôme, Luxembourg Museum, Paris; canvas, H. 4 ft. 7 in. × 6 ft. 6 in. A young Greek, nude, kneeling at right on one knee, setting two cocks to fighting; behind, a young woman, nearly nude, is seated watching the combat. Figures, life-size.—Salon, 1847; medal, 3d class.
COCX. See Coques.
COCXIE. See Coxcyen.
CODDE, PIETER, born in Amsterdam
before 1610, died about 1660 (?). Dutch
school; genre painter, principally of social
reunions and military scenes in the style of
Palamedes; probably formed himself at
Haarlem under the influence of Frans and
Dirk Hals; spirited conception and fine
colouring. Painted figures in pictures of
Dirk van Deelen. Works: Flute Player,
Haarlem Museum; The Ball (1636), Game
of Trictrac, Mauritshuis, Hague; Peasants
at Meal surprised by Catchpolls (attributed
to A. Duck), Copenhagen Gallery; Company
of Six (attributed to J. le Ducq), Stockholm
Museum; Guard-room, Carlsruhe Gallery;
do. Göttingen Gallery; Robber Scene (attributed
to C. Bega), Brunswick Gallery;
Musical Company (attributed to Cocx),
Speyer Gallery; Company at Table (1634),
Emden Gallery; do., Schleissheim Gallery;
Preparation for Carnival, Berlin Museum;
Stable with Soldiers, Musical Company,
Schwerin Gallery; Dancing Lesson (1627),
E. von Sievers, Dorpat; Soldiers with a
Girl (1628), Soldiers pilfering Peasant's
Cottage (attributed to A. Duck), Dresden
Gallery; Musical Company,
Liechtenstein Gallery,
Vienna; Guard-room
(166-), Borghese Gallery, Rome; Seamstress,
Assembly, Fitzwilliam Museum, Cambridge.—Bode,
Studien, 141; Havard, A. & A. holl.,
iii. 139.
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COELLO, ALONSO SANCHEZ. See Sanchez-Coello.
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COELLO, CLAUDIO, born in Madrid
about 1635, died
there, April 20,
1693. Spanish
school; son of
Faustino Coello,
a Portuguese
sculptor; pupil in
drawing of Francisco
Rizi; won the
friendship of Carreño,
who obtained
for him admission
to the royal galleries, where he studied
Titian, Rubens, and other great masters.
After executing important works in Toledo
and Saragossa, he returned to Madrid, was
made painter to the king in 1684, and on the
death of Carreño succeeded to all his honours
at court. Coello's masterpiece, the
Collocation of the Host, in the Escorial,
cost him two years' labor. In 1691 he was
appointed painter to the Cathedral of Toledo,
but his satisfaction in this and other
advantages which he enjoyed was counter-*balanced
in the following year by the arrival
of Luca Giordano, called by the King of Spain
