the Greenwood Tree (1860); Summer's Golden Crown (1866); Floating down to Camelot (1869); Evening Rest; Sunshine Showers (1870); Autumn Gold (1871); Summer Rain (1873); Misty Morning, Heart of Surrey (1874); Richmond, Loch Scavaig (1875); Day's Decline (1876); Arundel, Summer Showers (1877); Surrey Pastoral (1878); Autumn Leaves, Ripening Sunbeams (1879); August Days, Streatley on Thames, Wargrave (1881); Sources of the Thames (1882); Windsor, Autumn Morning (1883); Sinodun Hill (1885).—Meynell, 33.
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COLEMAN, CHARLES CARYLL, born at Buffalo, N. Y., in 1840. Figure and still-life painter; went to Europe in 1859 and again in 1866, since which has not returned to America. Exhibits in New York, London, Paris, and Rome. An A.N.A. of New York and member of the London Art Club. Studio in London in 1883. Works: Troubadour, Young Monk, Nuremberg Towers (1876); Bronze Horses of St. Mark's—Venice (1877), Lady Ashburton; Decorative Panel (1878); Interior of Chapel adjoining Sala del Cambia—Perugia; Venice—Ancient and Modern (1880); Remote Quarter of Paris in 1878 (1881).
COLIN, ALEXANDRE (MARIE), born
in Paris, Dec. 31, 1798, died there, Nov. 23,
1875. Genre painter, pupil of Girodet-Trioson;
director several years of School of
Design in Nîmes. Medals: 2d class, 1824
and 1831; 1st class, 1840; L. of Honour,
1873. Works: French Fish-market (1832),
National Gallery, Berlin; Scene in Otaheite,
Street of Calcutta (1841); Flanders Fisher-*women
(1842); Christopher Columbus (1846),
Masaniello (1848); Christ on the Cross
(1850), bought by State; Michelangelo
watching at his Servant's Bedside (1855);
Scene in the Roman Campagna, Columbus's
first Arrival in Spain (1857); Nymphs Bathing,
Breton Peasant (1859); Reception of
Columbus by Ferdinand and Isabella at
Barcelona, Lorenzo de' Medici and Michelangelo,
Public Reader on Mole of Naples,
Encounter in the Desert, Moorish Interior
(1861); Mater Dolorosa, Death of Gessler,
Suburb of Isel at St. Omer (1863); Flanders
Fishermen, Fisherman at Foot of a
Cliff (1864); Christ in Garden of Olives,
Gypsies Halting (1865); King Candaules,
Satyr and Bacchante (1866); Joy of the
Hearth, Who giveth to the Poor lendeth to
the Lord (1868); Little Sister (1869); Hurricane
on Borders of Sea (1870); Drama of
the Sea (1873); Before Marriage (1874).—Montrosier,
Artistes modernes.
COLIN, PAUL, born at Nîmes in 1838.
Landscape painter; son and pupil of Alexandre
Colin and pupil of J. P. Laurens.
Medal, 3d class, 1875; L. of Honour, 1883,
Works: Farm of Groult, Little Marauders
(1875); Moat of Hogue, Plateau of Criquebœuf
(1876); Road of Yport (1877); Two
Views at Valmont (1879); Valley of Yport
(1880); Street in Toledo (1881); Pool of
Criquebœuf (1882); Pool of Guéville, Apple-*yard
at Loysel (1883); Farm Stable, Ducks
(1884); Mare aux Pigeons (1885).
COLLANTES, FRANCISCO, born in
Madrid in 1599, died there in 1656. Spanish
school; pupil of Vincenzo Carducci;
best known as a landscape painter, though
he painted also figures, animals, and fruit
and flowers. Works: Vision of Ezekiel,
Burning of Troy, St. William
of Aquitaine, two
landscapes, Madrid Museum;
Burning Bush,
Louvre; Landscape, Munich
Gallery; St. John Baptist, Hermitage,
St. Petersburg.—Viardot, 267; Ch. Blanc,
École espagnole; Madrazo, 392.
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