Brother (1876); Wedding in La Bresse, He told Me (1877); Search for the Truth, Tell me about That (1878); Attacking the First Lines, Dead Leaves (1879); Susannah Bathing, The Hospital Nurse (1880).—Larousse; Hamerton, Painting in France; Kunst-Chronik, xv. 688; Montrosier.
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COMTE, PIERRE CHARLES, born in Lyons, April 23, 1823. Genre and history painter; pupil of Delaroche, H. Vernet, and Robert Fleury. Medals: 3d class, 1852; 2d class, 1853, 1855, and 1857, and 3d class, 1867; L. of Honour, 1857. Works: Last Throw of Dice, Coronation of Inez de Castro, Charles IX. visiting Coligny, Jeanne d'Albret with René (1848 to 1853); Henri III. and Duke of Guise (1855), Luxembourg Museum; Arrest of Cardinal de Guise and of d'Espaignac, Bass Viol Player (1855); Lady Jane Grey, Henri III. visiting his Menagerie (1857); Alain Chartier and Margaret of Scotland, Cardinal Richelieu (1859); Joan of Arc at the Coronation of Charles VII. (1861); Charles V. and the Duchesse d'Étampes, Recreation of Louis XI. when Sick, Rabelais's Seigni Joan (1863); Eleanor of Este making her Son, Henry of Guise, swear to avenge his Father (1864); Charles V. in Castle of Ghent after Abdication, Young Dutch Lady embroidering (1866); Henri III. at Time of Murder of Duke of Guise, Body-Guard of 17th Century (1867); Gypsies exhibiting Dancing Pigs to Louis XI., The Mirror (1869); Marie Touchet (1870); Carp at Fontainebleau in 16th Century (1874); Winter (1876); Cards, Don Quixote's Niece (1877); Dante (1878); Love chasing Time, Time chasing Love (1879); Francis I. putting Rings upon Carp at Fontainebleau (1880); Corps de Garde under Louis XIII., The Pigeons (1884). Works in United States: Scene at Fontainebleau (1874), Corcoran Gallery, Washington; The Young Prince, W. H. Vanderbilt, N. Y.
CONCA, SEBASTIANO, born at Gaeta
in 1679, died in Naples in 1764. Neapolitan
school; history painter, pupil of Fr.
Solimena; visited Rome in 1706 and drew
from the antique for five years. Employed
in decorating S. Clemente with frescos, he
executed his task so successfully that Clement
XI. knighted him and gave him many
public commissions. He painted also for
the kings of Spain, Portugal, Sardinia, and
Poland, for the Elector of Cologne, and for
the cities of Siena, Pisa, Loretto, Palermo,
and Gaeta; but he was indebted rather to
the decadence of art in his time than to any
original merit. Works: Abraham sending
away Hagar, Berlin Museum; Herod and
the Magi, Dresden Gallery; Joseph in Prison,
Darmstadt Museum; Christ in the Wilderness,
Death of Seneca,
Madrid Museum; Assumption,
S. Martino and S.
Luca, Rome; St. Francis
Xavier, Ancona Museum. His brother, Giovanni
Conca, painted in his style and made
good copies.—Lanzi (Roscoe), i. 517.
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CONCEPTION, IMMACULATE (Fr., Conception; Ital., Concepcion; Sp., Concepcion; Ger., Empfängniss Mariä). The pictorial representation of the doctrine that the Virgin came into the world free from the stain of original sin.
By Murillo, Mrs. Win. H. Aspinwall, New York; canvas, H. 6 ft. 6 in. × 4 ft. 5 in. The Virgin, looking up to left, standing in hollow of crescent moon, with hands on breast; beneath each side, four cherubs, with palm, lily, and olive branches; above, each side, five heads. Taken from Royal Palace, Madrid, by General Desolle, whose daughter sold it to Mr. Woodburn, from whom bought by King of Holland for about £4,000; sold in 1857 to Mr. Aspinwall. Repetitions: Lord Overstone, London; with changes, Louis Philippe sale (1853).—Stirling, iii. 1418; Harper's Weekly, June 30, 1858; Curtis, 132.
Murillo, Capuchin Church, Cadiz; canvas, H. 6 ft. 10 in. × 5 ft. 4 in. The Virgin,
