Samuel (1775-1811) were landscape painters.—Redgrave; Sandby, i. 314.
DANLOUX, HENRI PIERRE, born in
Paris, Feb. 24, 1753, died there, Jan. 3,
1809. Portrait and history painter, pupil
of J. B. Lépicié and of Vien; went early to
Italy, and on return to Paris gained reputation
by pictures in style of Greuze. In 1791
went to London, where he remained until
1802, and painted portraits of many eminent
persons. His portrait of Charles X.
is in Fitzwilliam Museum, Cambridge; that
of Jacques Delille in the Versailles Museum.
His Punishment of a Vestal (Salon, 1802) is
referred to by his friend the poet Delille in
his poem on Pity.—Ch. Blanc, École française;
Bellier de la Chavignerie, i. 335.
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DANNAT, WILLIAM T., born in New York in 1853. Figure painter, pupil of the Royal Academy, Munich, and of Munkacsy in Paris. Has painted in Munich, Florence, Spain, and in Paris. Medal: Paris, 3d class, 1883. Works: Bavarian Peasant (1878); Aragonese Contrabandist (1883); Castanet Dance, A Quartette (1884).
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DANSAERT, LÉON (MARIE CONSTANT), born in Brussels, Oct. 2, 1830. Genre painter, pupil in Paris of Édouard Frère; travelled in France, Germany, and Italy; lives at Écouen. Paints especially 18th century scenes in rococo costume. Works: Auction in 18th Century, Les Porcherons (1868); Wedding Feast, Vive le Roi! (1869); Before the Sale (1870); Café at End of 18th Century (1872); Before Meeting (1873); Affray in Tavern, Flower Market (1874); Reading the Contract (1877); Game at Dominos (1878); Crumbling World (1879); At the Barrier (1883).
DANSE DES AMOURS, Camille Corot,
Charles A. Dana, New York; canvas. A
valley, with lake in background; nymphs
dancing in foreground; at right, a wooded
hill, with a Greek temple and figures.
DANSE DU BATON (Staff Dance), Jean
Léon Gérôme. A girl, loosely robed, holding
a long staff in her hands, is dancing
before a party of Arnauts, one of whom is
playing a musical instrument. Painted in
1884.
DANTAN, JOSEPH ÉDOUARD, born in
Paris, Aug. 26, 1848. History painter, pupil
of Pils and of H. Lehmann; son of Jean
Pierre D., the sculptor. Studio in Paris.
Medals: 3d class, 1874; 2d class, 1880.
Works: Destruction of Pompeii (1869); The
Trinity (1872), chapel of the Hospital in
Brezen-on-the-Marne; Hercules at the Feet
of Omphale, Monk carving a Crucifix (1874),
Nantes Museum; The Quoit-Thrower (1875);
The Nymph Salmacis and Hermaphroditus
(1876); Christ calling Peter and Andrew
(1877); Christ on the Cross, Church of Dombrowa,
Poland; Corner of a Studio (1880),
Luxembourg Museum; The Model's Breakfast
(1881); Corpus Christi Day (1882); Le
Paradou, Interior at Villerville (1883);
Moulding Shop, Turner's Shop (1884); Burial
of a Child (1885).
DANTE, portrait, Giotto, Chapel of the
Podestà or Bargello, Florence. The poet,
then about twenty years of age, is represented
with Corso Donati, Brunetto Latini, and
a fourth personage, standing behind Charles
of Valois, in the lower part of a fresco of
Paradise painted on each side of a window.
This fresco, mentioned by Vasari as visible
in 1550, in which the painter had embodied
the transient peace imposed on the Florentines
in 1301, by Cardinal Acquasparta in
the name of Pope Boniface VIII., was white-*washed
when the palace was turned into a
jail and the chapel into a storeroom. It thus
remained degraded and forgotten until 1840,
when, through the exertions of Messrs. Kirkup,
Wilde, and Bezzi, it was brought to light
in an injured condition. The eye of the