- terior of a School (1868); The Butterfly;
A Push, Return from School (1885).
DARGENT, ÉDOUARD YAN, born at
St. Servais, Finistèrre, in 1824. Landscape
painter; has also decorated the Cathedral
of Quimper, and furnished designs for newspapers
and books. Studio in Paris. L. of
Honour, 1877. Works: The Return, Women
Bathing (1851); By the Sea (1852);
The Birdnesters, The Wagon (1853); The
Last Rays (1855); Sea-Shore at Lokirech,
Salvage at Guisseny (1857); St. Houardon
(1859); Washerwomen of the Night (1861);
Vapour, Evening on the Moors (1863); Obstinate
Cow (1864); Death of the last Breton
Bard (1865); Souvenir of Childhood,
Druidical Stone (1866); Maurice Rock, Kloarck
in Vacation Time (1868); The Little
Thumb (1869); Intemperance, Work (1870);
Wheelwright of Laouïc (1872); Wells of
Santa, Path to the Ramiers at Brézal (1873);
St. Roch in Solitude, Korn-boud in Finistèrre
(1874); Path near Telgruc, Cliffs at
Goulliers near Cape Raz, St. Corentin and
St. Primel (1875); Banks of the Scorf, Cliff
at Morgat (1876).
DARIO DA TREVISO, of Padua, latter
half of 15th century. Mentioned in accounts
of the Basilica di S. Antonio in 1446 as a
pupil of Squarcione. His only existing picture
is a Virgin of Mercy in the gallery of
Bassano, a very poor production, false in
drawing, dull and dirty in colour. He devoted
himself chiefly to the decoration of
house-fronts, and many examples of his industry
of this kind exist in Treviso, Serravalle,
and Conegliano.—C. & C., N. Italy, i.
350.
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Tent of Darius, Charles Lebrun, Louvre, Paris.
DARIUS, FAMILY OF, Paolo Veronese, National Gallery, London; canvas, H. 7 ft. 8 in. × 15 ft. 6 in. The captive family, taken after the battle of Issus, presented to Alexander by one of the ministers of Darius, kneeling in centre; to right, Alexander, in red armour, with Hephæstion and Parmenio; in background, a marble arcade, from the top of which many spectators are looking down. One of Veronese's grandest
