(1848); Bather tormented by Cupids (1850), Grenoble Museum; Close of Fine Day, Last Tears, The Rival (1855); Pond with Vipers (1857); Galatea (1859); The Smyrniotes (1871); The Pyrenees, Bohemians (1850), The Fairy with the Pearls (1857), three others, Luxembourg Museum. Works in United States: Cupid Disarmed, Forest of Fontainebleau (1871), The Storm (1872), Fontainebleau, Effect of Autumn, Edge of the Forest, T. W. Walters, Baltimore; Blind Man's Buff, Forest of Fontainebleau, Cupid's Whisper, Boy and Dogs, The Bather, Eastern Bazaar, W. H. Vanderbilt, New York; Bohemian Girls, W. Astor, New York; Fontainebleau, Samuel Hawk Collection, New York; Edge of Forest, A. Spencer, New York; Clairière de la Reine Blanche, C. Vanderbilt, New York; Landscape, Holy Family, Miss C. L. Wolfe, New York; Landscape, A. Belmont, New York; Fontainebleau, M. Graham, New York; Ladies of Seraglio, Venus and Cupids, W. Rockefeller, ib.; Oriental Mother and Child, Mrs. P. Stevens, New York; La Femme et L'Amour, Flowers, several landscapes, J. C. Runkle, New York; Forest of Fontainebleau, J. W. Drexel, New York; Promenade à la Robe Bleu, J. P. Morgan, New York; Lizard, M. K. Jesup, New York; Diana and Poictiers Hawking, R. L. Stuart, New York; Elysian Fields, D. O. Mills, New York; Nymphs and Cupids, Wood Gatherer, Girl with Scythe, C. P. Huntington, New York; Evening, Under the Oaks, C. S. Smith, New York; Fagot Gatherer, R. L. Cutting, New York; Autumn Landscape, G. I. Seney, Brooklyn; Dogs in Forest of Fontainebleau, J. T. Martin, Brooklyn; Coquette, J. H. Warren, Hoosac Falls, N. Y.; Forest of Fontainebleau, Gypsies, Dead Bird, R. C. Taft, Providence; Landscape, Turkish Women, Marguerite and Martha, Flowers, W. Richmond, ib.; Favourite Sultana, Landscape-Study, J. A. Brown, ib.; Bathers, Study of Flowers, Fortune-Telling, B. Wall, ib.; Forest with Fagot-Gatherer, Blind Man's Buff, Landscape, T. Wigglesworth, Boston; Fontainebleau, H. P. Kidder, ib.; Pond, W. Brimmer, ib.; Dark Wood Interior, Bohemians, H. Probasco, Cincinnati; Forest Scene, H. B. Hurlbut Collection, Cleveland; Landscape, S. A. Coale, St. Louis; Maiden and Cupid, Woods of Fontainebleau, Mrs. W. P. Wilstach, Philadelphia; In the Woods, Mrs. J. G. Fell, ib.; La Mare aux Fées, Isle d'Amour, J. D. Lankenau, ib. His son, Émile Diaz, also a painter, died in 1860, aged 25 years. —Claretie, Peintres, etc. (1882), 217; Larousse; Gaz. des B. Arts (1874), x. 243; L'Art (1877), viii. 49; Zeitschr. f. b. K., xiv. 97; Meyer, Gesch., 272.
DICÆOGENES, painter, about 596 B.C.;
country and works unknown.—Pliny, xxxv.
40 [146].
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DICKSEE, FRANK, born Nov. 27, 1853.
Figure painter, son
and pupil of Thos.
F. Dicksee. First
exhibited in Royal
Academy in 1876,
Elijah confronting
Ahab, for which he
obtained the gold
medal. In 1877 his
Harmony, purchased
by the Academy,
brought him into
notice. Elected an A.R.A. in 1881. Works:
Evangeline (1879); Benedicite, The House
Builders (1880); The Symbol (1881); A Love
Story (1882); Too late, too late, ye cannot
enter now (1883); Romeo and Juliet (1884);
Chivalry (1885).—Art Journal (1881), 94.
DICKSEE, THOMAS FRANCIS, born in
London, Dec. 13, 1819. Portrait and figure
painter, pupil of H. P. Briggs. Works:
Othello and Desdemona (1875); Ahab and
Jezebel, Cordelia (1877); Madeline (1878);
Beatrice (1879); Heiress (1880); Patricia
(1882); Cordelia, Lucretia, Antigone (1884).
DIDAY, FRANÇOIS, born in Geneva in
1812, died there, Nov. 28, 1877. Landscape
painter; studied in Geneva, Paris, and Rome,
but especially from nature. Medals in Paris
in 1840, 1841; L. of Honour, 1842; Russian
Order of Stanislaus, Belgian Order of Leo-
