Ford, Arquebusier (1875); Interior of Stable (1877); Citizen Chief of a Demi-Brigade (1878); Incident of Aug. 6, 1870, Souvenir of Italy in 1860 (1879); Incident of Battle of Rivoli (1882); Regiment passing through Forest (1883); An Information (1884).
DUVEAU, LOUIS JEAN NOOL, born
at St. Malo (Ille-et-Vilaine), Dec. 25, 1818,
died in Paris, May 26, 1867. Genre painter,
pupil of Cogniet. Medals: 3d class,
1846; 2d class, 1848; medal, 1864. Works:
Day after Storm in Brittany (1846); Breton
Emigrants stopped by Republicans (1848);
Abdication of Doge Foscari (1850); Wrecked
Fishermen (1852); Death of Agrippina
(1853); The Vacant Cradle (1855); Return
of the Pardon of St. Anne (1859); Death of
Claudius (1863), Mass at Sea (1864), Rennes
Museum.—Bellier de la Chavignerie, i. 507.
DUVENECK, FRANK, born at Covington,
Ky., Oct. 9, 1848. Figure painter,
pupil of Diez and of the Munich schools for
ten years. Studio in Venice. Works: A Circassian
(1875); portrait of Chas. Dudley
Warner, Turkish Page (1877); Coming
Man, Interior of St. Mark's—Venice, Italian
Girl, The Professor (1878); Portrait (1879);
Head of Young Man (M. Brimmer, Boston).—Am.
Art Review (1881), 3.
DUVERGER, THÉOPHILE EMMANUEL,
born at Bordeaux, Sept. 17,
1821. Genre painter. Medals: 3d class,
1861, 1863; medal, 1865. Works: Insanity
of Charles VI. (1848); Said in Jest (1853);
Tears at the Fireside (1855); The Visit,
Party at Grandmother's (1857); Nurse's
Visit, Washerwoman (1859); Grandfather's
Platter, Waiting, Charitable Ladies (1861);
Last Sacraments, Gypsies (1863); Hide-and-Seek,
Reticence (1864); Paralytic, Labourer
and his Children (1865), Luxembourg
Museum; Penitent Girl (1866); Confirmation
in Church of Villiers-le-Bel (1867);
Empty Cradle, First Frolic (1868); Maternal
Solicitude, Filial Care (1869); Vice and
Misery, Labour and Happiness (1870); The
Whippersnappers (1872); Silence (1873);
When the Cat is away the Mice will Play
(1874); Returning from Market (1875); Too
Much Gratitude (1876); Grandmother's
Party, Orphans (1879); In Reserve, Clown
(1880); Poacher, Before Mass (1881); Little
Bears (1882); Whoever Seeks shall Find
(1883); Market Scene, The Dolls (1884);
The Nest, In Receipt (1885).
DUYSTER (Duster), W. C. Dutch school;
genre painter; in his best works approaching
Pieter Codde. Works: Brawl between
Soldiers, Dresden Gallery; Game of Trictrac,
Hermitage, St. Petersburg; Brawl in a
Barn, Stockholm Museum.—Bode, Studien,
161.
DYCE, WILLIAM, born at Aberdeen in
1806, died at Streatham, Feb. 15, 1864.
Son of a physician and graduate of Marischal
College; in 1823 entered schools of
Royal Scottish Academy, and afterwards
studied in Rome and Florence. In 1827 exhibited
at Royal Academy his Bacchus
nursed by the Nymphs. After his second
visit to Italy, settled in Edinburgh in 1830,
and won success as a painter of portraits
and historical subjects. In 1836 his Descent
of Venus attracted much notice; he
removed to London in 1844, and in the
same year was elected an A.R.A., and in
1848 R.A. In 1848 he was chosen to decorate
the Queen's Robing-Room in the Houses
of Parliament, and began, but did not finish,
a series of frescos illustrating the legend of
King Arthur. He also executed a series of
frescos in All Saints, Margaret Street, Cavendish
Square. He was a well-trained musician
and a scholarly writer on art and scientific
subjects. Among his other easel
pictures are: King Joash shooting the Arrow
of Deliverance (1844); Jacob and Rachel
(1853); St. John leading Home the Virgin
(1860); and George Herbert of Bemerton
(1861).—Redgrave; Art Journal (1860),
293; Frescos in Houses of Parliament (8vo,
London), from Br. Quarterly, July, 1864;
Sandby, ii. 183.
DYCK, HERMANN, born in Würzburg,
Oct. 4, 1812, died in Munich, March 25, 1874.
Architecture and genre painter; studied
