return he became a member of the Academy in 1857, and a professor in 1858. Works: Landscapes with animals, Stockholm Museum; Fowler Art Union, Christiania.—Meyer, Künst. Lex., i. 681.
ANDES, HEART OF THE, Frederic E.
Church, David Dows, New York; canvas, H.
6 ft. 8 in. × 10 ft. Composition from studies
made in the central mountainous regions of
Ecuador. Painted in 1858 for Wm. T. Blodgett,
N. Y., at the sale of whose collection it
was sold for $10,000.—On its first exhibition
an enthusiastic description of it was written
by Theodore Winthrop: see his volume entitled
"Life in the Open Air." Art Journal,
Oct., 1859; Harper's Weekly, May 7, 1859.
ANDRADAE, Don ANDRES DE, portrait,
Murillo, Earl of Northbrook, London;
canvas, H. 6 ft. 6 in. × 3 ft. 10 in. Full
length, standing; about fifty years old, with
dark doublet with slashed sleeves, knee
breeches, white stockings, right hand on
head of a dog seated by his side, left holding
hat. Bought from D. Antonio Bravo by Sir
J. M. Brackenbury, British Consul at Cadiz;
sold to Louis Philippe for £1000; at his sale
(1853), to Thos. Baring for £1020. Copy by
Gutierrez in Academia S. Fernando, Madrid.—Curtis,
292; Athenæum(l853), 623.
ANDRÉ (Andray), JEAN, born in Paris,
in 1662, died there in 1753. Studied at Rome
under Carlo Maratti, in whose house he lived.
Became a Dominican monk, and devoted himself
to painting religious subjects. Works:
Jesus in Simon's House, Lyons; Marriage at
Cana and Multiplication of Loaves, Bordeaux;
two pictures from life of St. Vincent
de Paul, St. Lazare, Paris.—Larousse;
Meyer, Künst. Lex., i. 684.
ANDRÉ, JULES, born in Paris, April 19,
1807, died there, Aug. 17, 1869. Landscape
painter, pupil of Jolivard and Watelet. He
worked for ten years (1845-1856) in the
manufactory at Sèvres, but painted pictures
for the Salon at the same time. Medal, 2d
class, 1835; L. of Honour, 1853. In 1848
was conservateur of the drawings at the
Louvre. Works: Bridge of Tauron (1855),
bought by the State; View in the Valley of
the Streture (1863); Panels with Landscapes,
Pavilion Mollien, Louvre.
ANDRÉ, MICHEL FRANÇOIS, born in
Aix, Provence, baptized May 22, 1700, died
in Paris, April 13, 1783. Family name Bardon.
History painter, pupil of J. F. de Troy.
In 1725 carried off second Academy prize for
painting, then spent six years in Italy, where
he painted a colossal picture for the City
Hall (1729), now in the Aix Museum, and
allegorical figures of the Virtues. In 1737
made Associate of the Academy. Returned
to Paris in 1752 and elected professor in
the Royal Academy of Painting. Founded
the Academy of Art at Marseilles about 1750,
and was its director. Was also a poet and
musician. Works: Christ Crucified, St. Jerome,
Aix; Tullia, Montpellier Museum.—Meyer,
Künst. Lex., i. 685.
ANDREA DEL CASTAGNO. See Castagno.
ANDREA DI CIONE. See Orcagna.
ANDREA DA FIRENZE or DA FLORENTIA,
of Florence, 14th century. He
began in 1377 the series of frescos in the
Campo Santo, Pisa, illustrating scenes from
the life of S. Ranieri, assigned by Vasari to
Simone of Siena, which was finished in 1386
by Antonio Veneziano.—C. & C., Italy, i.
395, ii. 84; Meyer, Künst. Lex., ii. 2; Vasari,
ed. Le Mon., ii. 93.
ANDREA DEL GOBBO. See Solario.
ANDREA DEGLI IMPICCATI. See
Castagno.
ANDREA MICHIELI, called Vicentino
(from Vicenza), born about 1539, died in
1614. Venetian school; supposed pupil of
Jacopo Palma the younger; nothing known
of his life. Executed important works in
the Palazzo Ducale, Venice; among them are
the Doge Ziani presenting the Son of Barbarossa
to the Pope, the Assault of Zara in
1202, Otho presented to the Pope, Baldwin
elected Emperor of the East by the Crusaders,
the Siege of Venice by Pepin, the
Defeat of Pepin, the Victory of the Venetians
over the Turks, the taking of Cattaro,
