of the former masters and thereby the boast and proud memory of his numerous kinsmen.
Well then, old Foltýn stepped forth with his drum before the castle, to all appearances as if he wished to drum forth the mayor and the councilmen to some exceedingly important official duty, but in truth, alas, to noisefully assemble an army of old women to their work on the noble domain.
He slightly inclined his head and swung the sticks over the ancient drum. But what was that? After several promising beginnings he suddenly concluded his performance by a faint tap. I am convinced that many an old woman, hearing that single indistinct sound, dropped her spoon in amazement and pricked up her ears. When that mysterious sound was followed by no other she doubtless threw a shawl over her gray braids and running to the cottage across the way, met its occupant and read on her lips the same question her own were forming: “What happened to old Foltýn that he finished his afternoon artistic performance with such an unheard of turn?”
It happened thus: If you had stood in Foltýn’s place at the stated moment and if you had had his falcon eyes you would have descried beyond the wood at the turn of the wagon-road some sort of dark object which with magic swiftness approached the village. Later you would have distinguished a pair of horses and a carriage of a type never before seen in those regions.
