heavily in the balance. I speak from experience: it is no trifling evil, cured in a week. If, on the other hand, he take pleasure in naval tactics, he will assuredly have full scope for his taste. But it must be borne in mind, how large a proportion of the time, during a long voyage, is spent on the water, as compared with the days in harbour. And what are the boasted glories of the illimitable ocean? A tedious waste, a desert of water, as the Arabian calls it. No doubt there are some delightful scenes. A moonlight night, with the clear heavens and the dark glittering sea, and the white sails filled by the soft air of a gently-blowing trade-wind; a dead calm, with the heaving surface polished like a mirror, and all still except the occasional flapping of the canvass. It is well once to behold a squall with its rising arch and coming fury, or the heavy gale of wind and mountainous waves. I confess, however, my imagination had painted something more grand, more terrific in the full-grown storm. It is an incomparably finer spectacle when beheld on shore, where the waving trees, the wild flight of the birds, the dark shadows and bright lights, the rushing of the torrents, all proclaim the strife of the unloosed elements. At sea the albatross and little petrel fly as if the storm were their proper sphere, the water rises and sinks as if fulfilling its usual task, the ship alone and its inhabitants seem the objects of wrath. On a forlorn and weather-beaten coast, the scene is indeed different, but the feelings partake more of horror than of wild delight.
Let us now look at the brighter side of the past time. The pleasure derived from beholding the scenery and the general aspect of the various countries we have visited, has decidedly been the most constant and highest source of enjoyment. It is probable that the picturesque beauty of many parts of Europe exceeds anything which we beheld. But there is a growing pleasure in comparing the character of the scenery in different countries, which to a certain degree is distinct from merely admiring its beauty. It depends chiefly on an acquaintance with the individual parts of each view: I am strongly induced to believe that, as in music, the person who understands every note will, if he also possesses a proper taste, more thoroughly enjoy the whole, so he who examines each part of a fine view, may also thoroughly comprehend the full and combined effect. Hence, a traveller
