flowering creation subservient to his daily wants. His buttercup, his dandelion, and his meadow-sweet grow thick in every English field. His thyme clothes the hillside; his heather purples the bleak gray moorland. High up among the alpine heights his gentian spreads its lakes of blue; amid the snows of the Himalayas his rhododendrons gleam with crimson light. Even the wayside pond yields him the white crowfoot and the arrowhead, while the broad expanses of Brazilian streams are beautified by his gorgeous water-lilies. The insect has thus turned the whole surface of the earth into a boundless flower-garden, which supplies him from year to year with pollen or honey, and itself in turn gains perpetuation by the baits that it offers for his allurement."[1]
Concluding Remarks on Colour in Nature.
In the last four chapters I have endeavoured to give a general and systematic, though necessarily condensed view of the part which is played by colour in the organic world. We have seen in what infinitely varied ways the need of concealment has led to the modification of animal colours, whether among polar snows or sandy deserts, in tropical forests or in the abysses of the ocean. We next find these general adaptations giving way to more specialised types of coloration, by which each species has become more and more harmonised with its immediate surroundings, till we reach the most curiously minute resemblances to natural objects in the leaf and stick insects, and those which are so like flowers or moss or birds' droppings that they deceive the acutest eye. We have learnt, further, that these varied forms of protective colouring are far more numerous than has been usually suspected, because, what appear to be very conspicuous colours or markings when the species is observed in a museum or in a menagerie, are often highly protective when the creature is seen under the natural conditions of its existence. From these varied classes of facts it seems not improbable that fully one-half of the species in the animal kingdom possess colours which have been more or less adapted to secure for them concealment or protection.
Passing onward we find the explanation of a distinct type
- ↑ The Colour Sense, by Grant Allen, p. 95.
