I told him, as majestically as I could, that I wasn't in the humour for a fowl.
"Ain't you!" said the waiter. "Young gentlemen is generally tired of beef and mutton, have a weal cutlet!"
I assented to this proposal, in default of being able to suggest anything else.
"Do you care for taters?" said the waiter, with an insinuating smile, and his head on one side. "Young gentlemen generally has been overdosed with taters."
I commanded him, in my deepest voice, to order a veal cutlet and potatoes, and all things fitting; and to inquire at the bar if there were any letters for Trotwood Copperfield, Esquire—which I knew there were not, and couldn't be, but thought it manly to appear to expect.
He soon came back to say that there were none (at which I was much surprised), and began to lay the cloth for my dinner in a box by the fire. While he was so engaged, he asked me what I would take with it; and on my replying "Half a pint of sherry," thought it a favourable opportunity, I am afraid, to extract that measure of wine from the stale leavings at the bottoms of several small decanters. I am of this opinion, because, while I was reading the newspaper, I observed him behind a low wooden partition, which was his private apartment, very busy pouring out of a number of those vessels into one, like a chemist and druggist making up a prescription. When the wine came, too, I thought it flat; and it certainly had more English crumbs in it, than were to be expected in a foreign wine in anything like a pure state; but I was bashful enough to drink it, and say nothing.
Being, then, in a pleasant frame of mind (from which I infer that poisoning is not always disagreeable in some stages of the process), I resolved to go to the play. It was Covent Garden Theatre that I chose; and there, from the back of a centre box, I saw Julius Cæsar and the new Pantomime. To have all those noble Romans alive before me, and walking in and out for my entertainment, instead of being the stern taskmasters they had been at school, was a most novel and delightful effect. But the mingled reality and mystery of the whole show, the influence upon me of the poetry, the lights, the music, the company, the smooth stupendous changes of glittering and brilliant scenery, were so dazzling, and opened up such illimitable regions of delight, that when I came out into the rainy street, at twelve o'clock at night, I felt as if I had come from the clouds, where I had been leading a romantic life for ages, to a bawling, splashing, link-lighted, umbrella-struggling, hackney-coach-jostling, patten-clinking, muddy, miserable world.
I had emerged by another door, and stood in the street for a little while, as if I really were a stranger upon earth: but the unceremonious pushing and hustling that I received, soon recalled me to myself, and put me in the road back to the hotel; whither I went, revolving the glorious vision all the way; and where, after some porter and oysters, I sat revolving it still, at past one o'clock, with my eyes on the coffee-room fire.
I was so filled with the play, and with the past—for it was, in a manner, like a shining transparency, through which I saw my earlier life moving along—that I don't know when the figure of a handsome well-formed young
