ful, at the close of school and the exit of the classes, to see how different everything is from what it was in the months that are past. The long locks which touched the shoulders have disappeared; all heads are closely shorn; bare legs and throats are to be seen; there are little straw hats of every shape, with ribbons that fall over the backs of the wearers; shirts and neckties are of every hue; all the little children wear something red or blue about them, a facing, a border, a tassel, a scrap of some vivid color tacked on somewhere by the mother, so that even the poorest may make a good figure; and many come to school without any hats, as though they had run away from home. Some wear the white gymnasium suit. There is one of Schoolmistress Delcati's boys who is red from head to foot, like a boiled lobster. Several are dressed like sailors.
But the finest of all is the little mason, who has donned a big straw hat, which gives him the appearance of a half-candle with a shade over it; and it is ridiculous to see him make his hare's face beneath it. Coretti, too, has given up his catskin cap, and wears an old travelling-cap of gray silk. Votini has a sort of Scotch dress, all decorated; Crossi displays his bare breast; Precossi is lost inside of a blue blouse belonging to the blacksmith.
And Garoffi? Now that he has been obliged to discard the cloak beneath which he hid his wares, all his pockets are visible, bulging with all sorts of huckster's trifles, and the lists of his lotteries force themselves out. Now all his pockets allow their contents to be seen,—fans made of half a newspaper, knobs of
