This fac-simile gives an imperfect notion of the abbreviations, the blackness and obscurity of a page of the Donatus, but it is a fair specimen of the forbidding appearance of all the printed work of the fifteenth century. The illustration of the modern method of arranging the same letters shows the superior perspicuity of modern types and of modern typographic method. Not every reader of this age has a just idea of the extent of his obligation
Fac-simile of an early Dutch Horarium.
[From Koning.]
to what may be called the minor improvements of typography. It may be safely said that many men owe much of their scholastic knowledge to the systematic arrangement and the inviting appearance of modern types and books. The school-boy who glances over this fac-simile will quickly see the depth of the quagmire from which he has been delivered by the invention of types.
To support his theory that this fragment of the Donatus is but a part of one of the many copies of the book which were printed in Holland before the invention of typography, Koning submits the fac-simile of a page from an old Horarium, or manual of devotion, which was copied by him from the original block. He says that this block once belonged to Adrien Rooman, a Haarlem printer of the seventeenth century, who had received it from one of the descendants of Coster. That Coster engraved or printed this block is highly improbable, but it is, without doubt, a
