and of force, a man born to rule, impatient of restraint, and of inflexible resolution. We have but to look at the portrait of Fust to see that he, also, was accustomed to having his own way, and that he and Gutenberg were not at all adapted to each other as partners.
But Fust would not have broken with Gutenberg if he had not been prepared to put a competent successor in his place. In Peter Schœffer, a young man twenty-six years old, who had been employed in the printing office, Fust discerned an intelligent workman who gave promise of ability as a manager. Schœffer, who then hoped to win the hand of Fust's daughter Christina, was, no doubt, more complaisant than the irascible Gutenberg. As he was afterward married to her, it may be thought that she approved his suit in its beginning, and that her influence with her father was used to its utmost in favor of the removal of Gutenberg and the advancement of Schœffer. It was fully understood by the three conspirators that Gutenberg could make no proper defense; it was determined that he should be expelled from his place in the partnership and that Schœffer should succeed him in the management of the printing office. When every thing had been arranged, Gutenberg was summoned to appear before the court. The plot was successful in all points. Fust won the suit almost without a struggle: under the forms of law, he took possession of all the materials made by Gutenberg for the common profit, and removed them to his own house. With the types, presses and books went also many of the skilled workmen, and Peter Schœffer was at their head. From an equitable point of view, Fust was amply recompensed, He got the printing office that he coveted, and, with it, the right to use the newly discovered art of Gutenberg. It appears that he was content. There is no evidence that he afterward made any attempt to collect the claim which was, legally, unsatisfied even after the surrender of Gutenberg's printing materials and the printed books.
