OF THE ROMAN EMPIRE
245
taken by the piety of Justinian.[1] The ruins were cleared away, a more spacious plan was described, and, as it required the consent of some proprietors of ground, they obtained the most exorbitant terms from the eager desires and timorous conscience of the monarch. Anthemius formed the design, and his genius directed the hands of ten thousand workmen, whose payment in pieces of fine silver was never delayed beyond the evening. The emperor himself, clad in a linen tunic, surveyed each day their rapid progress, and encouraged their diligence by his familiarity, his zeal, and his rewards. The new cathedral of St. Sophia was consecrated by the patriarch, five years, eleven months, and ten days from the first foundation; and, in the midst of the solemn festival, Justinian exclaimed with devout vanity, "Glory be to God who hath thought me worthy to accomplish so great a work; I have vanquished thee, O Solomon![2] But the pride of the Roman Solomon, before twenty years had elapsed, was humbled by an earthquake, which overthrew the eastern part of the dome. Its splendour was again restored by the perseverance of the same prince; and in the thirty-sixth year of his reign Justinian celebrated the second dedication of a temple, which remains, after twelve centuries, a stately monument of his fame. The architecture of St. Sophia, which is now converted into the principal mosch, has been imitated by the Turkish sultans, and that venerable pile continues to excite the fond admiration of the Greeks, and the more rational curiosity of European travellers. Description The eye of the
- ↑ Among the crowd of ancients and moderns who have celebrated the edifice of St. Sophia, I shall distinguish and follow, 1. Four original spectators and historians: Procopius (de Aedific. l. i. c. 1), Agathias (l. v. p. 152, 153), Paul Silentiarius (in a poem of 1026 hexameters, ad calcem Annæ Comnen. Alexiad.), and Evagrius (l. iv. c. 31). 2. Two legendary Greeks of a later period: George Codinus (de Origin. C. P. p. 64-74), and the anonymous writer of Banduri (Imp. Orient. tom. i. l. iv. p. 65-80). 3. The great Byzantine antiquarian Ducange (Comment. ad Paul. Silentiar. p. 525-598, and C. P. Christ. l. iii. p. 5-78). 4. Two French travellers — the one Peter Gyllius (de Topograph. C. P. l. ii. c. 3, 4) in the xvith; the other, Grelot (Voyage de C. P. p. 95-164. Paris 1680, in quarto): he has given plans, prospects and inside views of St. Sophia; and his plans, though on a smaller scale, appear more correct than those of Ducange. I have adopted and reduced the measures of Grelot: but, as no Christian can now ascend the dome, the height is borrowed from Evagrius, compared with Gyllius, Greaves, and the Oriental Geographer. [The dimensions of St. Sophia given in the text differ by but a few feet from those given in Salzenberg's great work on the church (Altchristliche Baudenkmale von Constantinopel). The best and fullest study of the church is Lethaby and Swainson, Sancta Sophia.]
- ↑ Solomon's temple was surrounded with courts, porticoes, &c.; but the proper structure of the house of God was no more (if we take the Egyptian or Hebrew cubit at 22 inches) than 55 feet in height, 365 in breadth, and 110 in length — a small parish church, says Prideaux (Connection, vol. i. p. 144 folio); but few sanctuaries could be valued at four or live millions sterling!
