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charm of anticipated success, are so many spurs to urge men onward in the active professions they have embraced, without allowing them to deviate for an instant from the track. The main stress of the faculties is to this point. The imagination is not extinct; but its chief function is to devise what may be useful, and to represent what is real.
The principle of equality not only diverts men from the description of ideal beauty—it also diminishes the number of objects to be described.
Aristocracy, by maintaining society in a fixed position, is favourable to the solidity and duration of positive religions, as well as to the stability of political institutions. It not only keeps the human mind within a certain sphere of belief, but it predisposes the mind to adopt one faith rather than another. An aristocratic people will always be prone to place intermediate powers between God and man. In this respect it may be said that the aristocratic element is favourable to poetry. When the universe is peopled with supernatural creatures, not palpable to the senses but discovered by the mind, the imagination ranges freely, and poets, finding a thousand subjects to delineate, also find a countless audience to take an interest in their productions.
In democratic ages it sometimes happens, on the contrary, that men are as much afloat in matters of belief as they are in their laws. Scepticism then draws the imagination of poets back to earth, and confines them to the real and visible world. Even when the principle of equality does not disturb religious belief, it tends to simplify it, and to divert attention from secondary agents, to fix it principally on the Supreme Power.
Aristocracy naturally leads the human mind to the contemplation of the past, and fixes it there. Democracy, on the contrary, gives men a sort of instinctive distaste for what is ancient. In this respect aristocracy is far more favourable to poetry; for things commonly grow larger and more obscure as they are more remote; and for this twofold reason they are better suited to the delineation of the ideal.
After having deprived poetry of the past, the principle of equality robs it in part of the present. Among aristocratic nations there are a certain number of privileged personages, whose situation is, as it were, without and above the condition of man; to
