another comic picture, "Chairing the Member," for which he got £422, beside £168 by exhibition. A third humorous picture was " Punch and Judy."
But though he made money by these paintings in the style of Hogarth, he hated doing them. His soul soared to High Art.
"At the table of Mr. Wyatt," says the Rev. J. Richardson in his Recollections (London, 1856), I met the late Mr. Haydon, the artist, with whom I had been previously acquainted. Haydon was undoubtedly a man of considerable talent, but of insatiable vanity. He had concentrated in his own estimation of his merits those atoms of admiration that ought to have been diffused among the general community, who were certainly somewhat slow in recognizing the claims which he was continually urging; indeed, they were far too slow to satisfy his craving for applause, and for a slice or two of that solid pudding which many people value much more than empty praise. The consequence was that he was continually indulging in querulous complaint and bitter vituperation; everybody was rewarded except himself; nobody but himself had any merit or capacity or feeling for Art. All the world were fools; he was the little bit of leaven that was to bring the solid lump into fermentation; the one wise man whose presence rescued the mass of mankind from unqualified insignificance and fatuity. This inordinate vanity overlaid the many good qualities which he possessed, blinded his perspicuity, and perverted his judgment."
On 16 October, 1834, the Houses of Parliament were consumed by fire, and Barry was entrusted with designs for the erection of a new palace, which was begun in 1840. Now was the opportunity for which Haydon had yearned. The new Houses of Parliament must receive
