play would begin by the sticklers matching them with each other, and ten would then be left for the treble play. The players would then be reduced to five, then to three, and finally the two best would be matched against one another.
The play in Devonshire and Cornwall was different in this, that in the former county there was kicking, but this was not allowed above the knee. In some cases skillibegs were worn in Devon, that is, haybands wound about the calves and shins as a protection. In the Cornish play there is hugging and heaving; in the Devonshire play, kicking and tripping. It might be thus defined: in Cornwall, the shoulders and arms were mainly relied on; in Devonshire, the legs.
A player, having got his hitch, would proceed to very close quarters, and taking his man round the body, not lower than the waist, would throw him over his shoulder, giving him the Flying Mare, and turning him over on his back when falling, give him the Back Fall.
Besides the Flying Mare, there was the Cross-buttock fall in shoulder play, the Back-heave, and others. In the leg play there were the Fore-lock, the Back-lock, Heaving-toe, Back-heel, and others. The Cornish player would, when he had secured his hitch, endeavour to drag his man in for the hug and the fling; whereas the Devonshire man would play for his hitch to keep him off, till he had disabled him.[1]
Sir Thomas Parkyns, about whom more in the sequel, thus describes the cast of the Flying Mare:
"Take him by the right hand with your left, your palm being upwards as if you designed only to shake him by the hand in a friendly manner in the beginning, and twist it outwards, and lift it upwards to make way
- ↑ See W. F. Collier, " Wrestling," in the Cornish Magazine, Vol. I, 1898.
