and not teasing you. Let each of us forbear, this one time, on our own account, and on the other's!"
Disarmed by this glimpse of a woman's nature in the spoilt child, though for an instant disposed to resent it as seeming to involve the enforced infliction of himself upon her, Edwin Drood stands watching her as she childishly cries and sobs, with both hands to the handkerchief at her eyes, and then—she becoming more composed, and indeed beginning in her young inconstancy to laugh at herself for having been so moved—leads her to a seat hard by, under the elm trees.
"One clear word of understanding, Pussy dear. I am not clever out of my own line—now I come to think of it I don't know that I am particularly clever in it—but I want to do right. There is not—there may be—I really don't see my way to what 1 want to say, but I must say it before we part—there is not any other young——?"
"Oh no, Eddy ! It's generous of you to ask me; but no, no, no!"
They have come very near to the Cathedral windows, and at this moment the organ and the choir sound out sublimely. As they sit listening to the solemn swell, the confidence of last night rises in young Edwin Brood's mind, and he thinks how unlike this music is, to that discordance.
"I fancy I can distinguish Jack's voice," is his remark in a low tone in connexion with the train of thought.
"Take me back at once, please," urges his Affianced, quickly laying her light hand upon his wrist. "They will all be coming out directly; let us get away. Oh, what a resounding chord! But don't let us stop to listen to it; let us get away!"
Her hurry is over, as soon as they have passed out of the Close. They go, arm-in-arm now, gravely and deliberately enough, along the old High Street, to the Nuns' House. At the gate, the street being within sight empty, Edwin bends down his face to Rosebud's.
She remonstrates, laughing, and is a childish schoolgirl again.
"Eddy, no! I'm too stickey to be kissed. But give me your hand, and I'll blow a kiss into that."
He does so. She breathes a light breath into it, and asks, retaining it and looking into it:
"Now say, what do you see?"
"See, Rosa?"
"Why, I thought you Egyptian boys could look into a hand and see all sorts of phantoms? Can't you see a happy Future?"
For certain, neither of them sees a happy Present, as the gate opens and closes, and one goes in and the other goes away.
