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with smaller stones; while others are built of stones more or less carefully hewn, their interstices exactly fitting into each other. Gradually they begin to show an approximation to buildings with rectangular blocks. The gates let into these walls are closed at the top either by the courses of stone jutting over from each side till they touch, or by a long straight block laid over the two leaning sideposts. Of the latter kind is the famous Lion-gate at Mycenæ, socalled from the group of two lions standing with their forefeet on the broad pedestal of a pillar that tapers rapidly downwards, and remarkable as the oldest specimen of Greek sculpture. The sculpture is carved on a large triangular slab that fills an opening left in the wall to lighten the weight on the lintel (fig. 2).

Among the most striking relics of this primitive age are the so-called Thēsauroi, or treasuries (now regarded as tombs) of ancient dynasties the most considerable being the Treasure-house of Atreus at Mycenæ. The usual form of these buildings is that of a circular chamber vaulted over by the horizontal courses approaching from all sides till they meet. Thus the vault is not a true arch (fig. 3). The interior seems originally to have been covered with metal plates, thus agreeing with Homer's descriptions of metal as a favourite ornament of princely houses. An open-air building preserved from that age is the supposed Temple of Hēra on Mount Ocha (now Hagios Elias) in Eubœa, a rectangle built of regular square blocks, with walls more than a yard thick, two small windows, and a door with leaning posts and a huge lintel in the southern sidewall. The sloping roof is of hewn flagstones resting on the thickness of the wall and overlapping each other; but the centre is left open as in the hypsethral temples of a later time.

From the simple shape of a rectangular house shut in by blank walls we gradually advance to finer and richer forms, formed especially by the introduction of columns detached from the wall and serving to support the roof and ceiling. Even in Homer we find columns in the palaces to support the halls that surround the courtyard, and the ceiling of the banqueting-room. The construction of columns (see Architecture, Orders of) received its artistic development first from the Dorians after their migration into the Peloponnesus about 1000 b.c., next from the Ionians, and from each in a form suitable to their several characters. If the simple serious character of the Dorians speaks in the Doric Order, no less does the lighter, nimbler, and more