Page:Dictionary of National Biography volume 09.djvu/165

From Wikisource
Jump to navigation Jump to search
This page has been validated.
Carpenter
159
Carpenter
    of letters to Veysie).
  1. ‘Systematic Education,’ 2 vols. 1815, 8vo, 3rd edition 1822 (in conjunction with William Shepherd, LL.D., and Jeremiah Joyce; Carpenter's part includes the mental and moral philosophy).
  2. ‘An Examination of the Charges made against Unitarians … by the Right Rev. Dr. Magee,’ &c. 1820, 8vo.
  3. ‘Principles of Education,’ 1820, 8vo (reprinted from Rees's ‘Cyclopædia,’ much commended by the Edgeworths).
  4. ‘A Harmony, or Synoptical Arrangement of the Gospels,’ &c. 1835, 8vo (the second edition, 1838, 8vo, is dedicated, by permission, to the queen).
  5. ‘Sermons on Practical Subjects,’ 1840, 8vo (edited by his son; an abridged edition was brought out by Mary Carpenter in 1875).

[Memoirs, by Russell Lant Carpenter (his son), 1842; Memoirs of P. P. Carpenter, Ph.D. 1880 (by the same); family pedigrees are given in privately printed Memorials (1878) of Mary Carpenter (sister of Lant Carpenter); Monthly Repos. 1817, p. 481; Murch's History of Presb. and Gen. Bapt. Churches in West of England, 1835, pp. 117 sq., 409, 564; Christian Reformer, 1842, p. 371; Henderson's Memoir of Rev. G. Armstrong, 1859; Autobiographical Recollections of Sir J. Bowring, 1877, pp. 42–3; private information.]

CARPENTER, MARGARET SARAH (1793–1872), portrait-painter, daughter of Captain Alexander Geddes, born at Salisbury in 1793, first studied art from Lord Radnor's collection at Longford Castle, and obtained a gold medal from the Society of Arts for the study of a boy's head. She went up to London in 1814 and established herself as a portrait-painter of much reputation. In 1817 she married William Hookham Carpenter [q. v.], keeper of prints and drawings in the British Museum, upon whose death in 1866 her majesty granted her a pension of 100l. per annum. She died in London 13 Nov. 1872. Between 1818 and 1866 she exhibited 147 pictures at the Royal Academy, fifty at the British Institution, and nineteen at the Society of British Artists. Her last work was the portrait of Dr. Whewell. Among her other portraits were those of Lord Kilcoursie (1812), Mr. Baring (1815), Lord de Tabley (1829), and Archbishop Sumner (1852). Her portraits of Fraser Tytler, John Gibson, and Bonington are in the National Portrait Gallery. In the South Kensington Museum she is represented by ‘Devotion—St. Francis’ (a life-size study of the head of Anthony Stewart, the miniature painter), ‘The Sisters’ (portraits of her two daughters), ‘Ockham Church’ (a sketch), and ‘An Old Woman spinning,’ and also by a water-colour study from nature. A sister of Mrs. Carpenter married W. Collins, R.A., and was the mother of Mr. Wilkie Collins.

[Redgrave's Dict. of Artists, 1878; Bryan's Dict. of Painters (Graves); Graves's Dict. of Artists; Catalogues of National Portrait Gallery and National Gallery at South Kensington Museum; Artists of Nineteenth Century; Art Journal, 1873.]

CARPENTER, MARY (1807–1877), philanthropist, the eldest child of Lant Carpenter, LL.D. [q. v.], by his wife, Anna Penn, was born at Exeter on 3 April 1807. Her father's teachings and example inspired her whole career. From him she inherited her industry, her warm benevolence, and simple piety; her concentration of energy she drew from herself. At a very early age she was introduced to the whole range of studies pursued in her father's school, gaining a sound classical and scientific training, and developing a taste for art. James Martineau sketches her as a schoolgirl (Life, 9). Accustomed to assist in teaching, and even on occasion taking her father's place before she had completed her fifteenth year, she left home in the spring of 1827 to act as a governess, first in the Isle of Wight, then at Odsey, near Royston. In August 1829 she rejoined her mother, and began with her a girls' school at Bristol, shortly after the close of Dr. Carpenter's school for boys. To this she added in 1831 the superintendence of the afternoon Sunday school. In 1833 the presence of Rammohun Roy, who ended his days at Bristol, and the visit of Joseph Tuckerman, D.D., the Boston philanthropist, turned her sympathy towards India and the ragged urchins of her own country. She was the means of founding in 1835 a ‘working and visiting society,’ of which she acted as secretary for over twenty years; and to this was added in 1841 a ministry to the poor, to which she had given the impulse in 1838. Her father's death in 1840 gave her a new motive for philanthropic work as his representative. Aided by John Bishop Estlin and Matthew Davenport Hill, she opened on 1 Aug. 1846 her ragged school in Lewin's Mead, one of the worst parts of Bristol, removing it in December to larger premises in ‘a filthy lane called St. James's Back.’ In August 1850 she purchased the court in which the school was situated, improved the dwellings, and laid out a playground. While thus engaged she was considering the necessity for schools of a different character, in which moral discipline might be applied to the reformation of young criminals. She corresponded on this subject with Matthew Davenport Hill and John Clay [q. v.], and published her