man (Garrick) in universality of imitation,' and speaks of him (1807) as 'the second tragedian on the stage,' and the 'best lover on the stage both in tragedy and comedy,' Macready, sparing as he is of praise to rivals, in giving a striking account of Elliston's last performance at Drury Lane (Reminiscences, i. 307-8), writes a high encomium of his versatility and power. The 'London Magazine and Theatrical Inquisitor,' iii. 515, says his comic genius was irresistible. It was the very apotheosis of fun, sworn brother 'to all frolicsomeness,' but adds that in his later years he had fallen into 'a coarse buffoonery of manner;' and Byron says he could conceive nothing better than Elliston in gentlemanly comedy and in some parts of tragedy. Vapid in 'The Dramatist, 'Doricourt., Charles Surface, Rover in 'Wild Oats,' and Ranger in the 'Suspicious Husband,' are a few of the comic characters in which he had no equal. Among his serious parts the best were Hamlet, Orestes, Romeo, Hotspur, Amintor. In addition to 'No Prelude' before mentioned Elliston wrote the 'Venetian Outlaw,' 8vo, 1805, acted at Drury Lane 26 April 1805, the author playing the part of Vivaldi. It is dedicated from Elliston's residence, 13 North Street, Westminster, to the king, is fairly workmanlike, and is, according to a postscript by Elliston to the printed edition, an adaptation of Abelin's 'Le Grand Bandit ou l'Homme à trois Masques,' a piece played at the Duke's Theatre, Brunswick. He wrote a preface to the 'Flying Dutchman, or the Spectral Ship,' a three-act drama played at the Surrey, and included in the third volume of Richardson's 'New Minor Theatre,' 12mo, 1828, et seq., and two letters, one of them being a reply to a memorial to the lord chamberlain against the Olympic and the Sans Pareil theatres, presented by the managements of Drury Lane and Covent Garden. These are printed in octavo, London, 1818, with the memorial, and are in the British Museum under 'Drury Lane.' An acting edition of 'Coriolanus,' London, 1820, is said to be altered by R. W. Elliston. A preface to Poole's 'Married and Single,' 8vo, 1824, contains an attack upon him. No. 2 in the Mathews collection of paintings at the Garrick Club is a portrait by Henry Singleton, R.A., of Elliston as Octavian in 'The Mountaineers.' Mathews, in the 'Catalogue,' writes, 'A most fascinating, brilliant actor.' Other portraits by De Wilde, as Duke Aranza in 'The Honeymoon,' and by Harlowe show him a handsome, bright-looking man. He is charged with being a little of a fop, but was a good conversationalist, and without being witty had a fund of humour. He had a gift of facile oratory which he frequently abused. On the strength of this he contemplated at different times entering parliament and the church. His habit of addressing the public frequently with most mendacious intentions subjected him to much well-deserved ridicule. Those extravagances which most embroiled him with a portion of the public were forgiven him by another portion as due to waywardness of humour rather than any other cause. Among the contents of a curiosity shop was once preserved a series of his cancelled cheoues issued while manager of Drury Lane. The progressive unsteadiness and illegibility of the writing furnished a curious commentary on the drunken habits of the writer.
[Raymond's Memoirs of Elliston, 2 vols. 1845; Genest's Account of the Stage; Moore's Life of Byron, 1822; Baker, Reed, and Jones's Biographia Dramatica; Mathews's Anecdotes of Actors; Sir F. Pollock's Macready's Reminiscences; New Monthly Magazine; London Magazine; Monthly Mirror; Theatrical Inquisitor, passim; Leigh Hunt's Critical Essays on the Performers of the London Theatres; Charles Lamb's Works; Thomas Dibdin's Reminiscences; Hazlitt's Criticisms and Dramatic Essays on the English Stage.]
ELLMAN, JOHN (1753–1832), agriculturist, the son of Richard and Elizabeth Ellman, was born at Hartfield, Sussex, 17 Oct. 1753. His father, who was a farmer, removed to Glynde in 1761, and on his death in 1780, Ellman succeeded to his farm, which under his management quickly assumed a position second to none in the county. He turned his attention particularly to improving the breed of Southdown sheep, and by careful selection of animals for breeding purposes obtained such successful results that, in spite of much jealousy and detraction, he fully established the high merits of the Southdown breed, which had before been scarcely recognised. Unlike his rival Robert Bakewell (1725–1795) [q. v.], Ellman was perfectly frank and open about his methods, and was always ready to give advice to any one who cared to ask for it. Consequently, when the success of his breeding became known, his assistance was eagerly sought, and among those who more frequently visited his farm or corresponded with him were the Duke of Bedford, the Earl of Albemarle, Lord Somerville, who introduced him to George III, and Lords Egremont, Sligo, Darnley, Londonderry, Sheffield, and Chichester. In 1786 he founded, together with the Earl of Sheffield, Lewes wool fair, and it was at his suggestion that Lord Egremont formed the Sussex Agricultural Association, for the improvement of cattle and the encouragement of industry and skill among the labouring poor. He also
